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|a Phelan, Peggy,
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|a Unmarked :
|b the politics of performance /
|c Peggy Phelan.
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|a London ;
|a New York :
|b Routledge,
|c 1993.
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300 |
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|a 1 online resource (xi, 207 pages) :
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|a Includes bibliographical references (pages 195-202) and index.
|
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|a Book Cover; Title; Contents; List of figures; Acknowledgements; Broken symmetries: memory, sight, love; Developing the negative: Mapplethorpe, Schor, and Sherman; Spatial envy: Yvonne Rainer's The Man Who Envied Women; The golden apple: Jennie Livingston's Paris Is Burning; Theatre and its mother: Tom Stoppard's Hapgood; White men and pregnancy: discovering the body to be rescued; The ontology of performance: representation without reproduction; Afterword: notes on hope; Notes; Bibliography; Index.
|
520 |
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|a Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film and theatre.
|
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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