Shadows, specters, shards : making history in avant-garde film /

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Shadows, Specters, Shards examines experimental films, including work by Eleanor Antin, Ernie Gehr, and Jean-Luc Godard, that take up events such as the Holocaust, Latin American independence struggles, and urban politics. In his discussion of avant-garde film of the 1970s, 1980s, and 1990s, Jeffrey...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Skoller, Jeffrey
Format: Électronique eBook
Langue:Inglés
Publié: Minneapolis, MN : University of Minnesota Press, ©2005.
Sujets:
Historical films > History and criticism.
Experimental films > History and criticism.
Films historiques > Histoire et critique.
PERFORMING ARTS > Film & Video > Reference.
PERFORMING ARTS > Film & Video > History & Criticism.
Experimental films
Historical films
Criticism, interpretation, etc.
Accès en ligne:Texto completo
Table des matières:
  • Acknowledgments; Introduction; 1. Shards: Allegory as Historical Procedure; 2. Shadows: Historical Temporalities 1; 3. Virtualities: Historical Temporalities 2; 4. Specters: The Limits of Representing History; 5. Obsessive Returns: Filmmaking as Mourning Work; Coda: Notes on History and the Postcinema Condition; Notes; Bibliography; Filmography and Distributors; Permissions; Index.

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