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The comedy of philosophy : sense and nonsense in early cinematic slapstick /

"The Comedy of Philosophy brings modern debates in continental philosophy to bear on the historical study of early cinematic comedy. Through the films of Mack Sennett, Buster Keaton, Charlie Chaplin, Harold Lloyd, and the Marx Brothers, Lisa Trahair investigates early cinema's exploration...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Trahair, Lisa, 1962-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Albany : State University of New York Press, ©2007.
Colección:SUNY series, insinuations.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Trahair, Lisa,  |d 1962-  |1 https://id.oclc.org/worldcat/entity/E39PCjBCkGFcbHWPgQbQVgvGVy 
245 1 4 |a The comedy of philosophy :  |b sense and nonsense in early cinematic slapstick /  |c Lisa Trahair. 
260 |a Albany :  |b State University of New York Press,  |c ©2007. 
300 |a 1 online resource (xi, 264 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a SUNY series, insinuations 
504 |a Includes bibliographical references (pages 241-249) and index. 
588 0 |a Print version record. 
505 0 |a 1. The Philosophy of Laughter: Hegel, Bataille and Derrida -- 2. Restricted and General Economy: Narrative, Gag and Slapstick in One Week -- 3. The Machine of Comedy: Gunning, Deleuze and Buster Keaton -- 4. Fool's Gold: Metamorphoses in Sherlock Jr. -- 5. Jokes and Their Relation to ... -- 6. The Comic: Degradation and Refinement in 1920s Cinematic Slapstick -- 7. From Words to Images (Gagging) -- 8. Figural Vision: Freud, Lyotard and City Lights -- 9. Preposterous Figurality: Comic cinema and bad metaphor. 
520 1 |a "The Comedy of Philosophy brings modern debates in continental philosophy to bear on the historical study of early cinematic comedy. Through the films of Mack Sennett, Buster Keaton, Charlie Chaplin, Harold Lloyd, and the Marx Brothers, Lisa Trahair investigates early cinema's exploration of sense and nonsense by utilizing the contributions to the philosophy of comedy made by Freud and Bataille and by examining significant poststructuralist interpretations of their work. Trahair explores the shift from the excessive physical slapstick of the Mack Sennett era to the so-called structural comedy of the 1920s, and also offers a new perspective on the importance of psychoanalysis for the study of film by focusing on the implications of Freud's theory of the unconscious for our understanding of visuality."--Jacket 
546 |a English. 
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590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Comedy films  |x History and criticism. 
650 6 |a Films comiques  |x Histoire et critique. 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Reference.  |2 bisacsh 
650 7 |a Comedy films  |2 fast 
650 7 |a Stummfilm  |2 gnd 
650 7 |a Slapstick  |2 gnd 
650 7 |a cinéma comique.  |2 rero 
655 7 |a Criticism, interpretation, etc.  |2 fast 
758 |i has work:  |a The comedy of philosophy (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCFPVxgFbDcQjJPjHtJRV83  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Trahair, Lisa, 1962-  |t Comedy of philosophy.  |d Albany : State University of New York Press, ©2007  |z 9780791472477  |z 0791472477  |w (DLC) 2006100229  |w (OCoLC)76898075 
830 0 |a SUNY series, insinuations. 
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