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20240329122006.0 |
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080121s2004 nyu o 000 0 eng d |
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|a 1602569991
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|a 9781602569997
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|a DEBBG
|b BV044093851
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|a NZ1
|b 12480222
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|a NZ1
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|a (OCoLC)191038713
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|a MT
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|a 784.2/73
|2 22
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|a UAMI
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|a Maurice, Donald.
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|a Bartok's viola concerto :
|b the remarkable story of his swansong.
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|a New York :
|b Oxford Univ Press,
|c 2004.
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|a 1 online resource (pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Introduction: Outline of the special problems associated with this work; Chapter One. Genesis: Circumstances, commission, composition, influences, and the manuscript; Chapter Two. The Reconstruction: A critical examination of the work of Tibor Serly; Chapter Three. Première and Publication: An account of the events of 1945-49 that led up to the first performance; Chapter Four. Reception: Reaction to the first fifty years of the Bartók/Serly Viola Concerto; Chapter Five. Some Aspects of Structure: Examination of form and possible presence of the Fibonacci series
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|a Chapter Six. Revisions: The revisions of Atar Arad, Csaba Erdélyi, Peter Bartók, and Donald MauriceChapter Seven. Authenticity: Future attempts to achieve a more authentic Bartók Viola Concerto; Chapter Eight. Compositional Interpretation: Focus on structure, melody, pitch organization, rhythm, and orchestration and texture; Chapter Nine. Performance Interpretation: Focus on tempi, dynamics, phrasing, and articulation in the solo viola part; Chapter Ten. The Future and Legal Issues: Bartók's will and estate and matters of copyright; Conclusion; Appendixes
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|a Appendix One. Correspondence from Tibor Serly to Benjamin SuchoffAppendex Two. Correspondence between Tibor Serly and Victor Bator; Appendix Three. Boosey & Hawkes Correspondence; Appendix Four. Burton Fisch; Appendix Five. Extracts from the Program of the World Première; Appendix Six. Reviews of the Early Performances; Appendix Seven. Tibor Serly's Response to Halsey Stevens; Appendix Eight. Recording Review Summary from Strad Magazine; Appendix Nine. "The Thirteen Pages" by Atar Arad; Appendix Ten. Peter Bartók and Nelson Dellamaggiore; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; K
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|a LM; N; O; P; R; S; T; U; V; W; Z
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|a This text tells the intriguing story of Bela Bartok's viola concerto, a work left unfinished at his death in 1945. Drawing on interviews and documents that reveal previously unavailable information, it discusses the commission, reception and future possibilities.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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600 |
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|a Bartók, Béla,
|d 1881-1945.
|t Concertos,
|m viola, orchestra.
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630 |
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|a Concertos (Bartók, Béla)
|2 fast
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|a Music Instruction & Study.
|2 hilcc
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650 |
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|a Music.
|2 hilcc
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|a Music, Dance, Drama & Film.
|2 hilcc
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758 |
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|i has work:
|a Bartók's viola concerto (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFJqKD6qQGHyj3kMjMyjmd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3051935
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL279739
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938 |
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|a YBP Library Services
|b YANK
|n 2769194
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938 |
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|a YBP Library Services
|b YANK
|n 2630024
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994 |
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|a 92
|b IZTAP
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