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Writing through music : essay on music, culture, and politics /
List of Illustrations. List of Musical Examples. Introduction. I. Time, Narrative, and Memory. 1. Narrative and Narrativity in Music. 2. Postmodernism, Narrativity, and the Art of Memory. 3. Resituating the Spectral Revolution: French Antecedents. II. Self-Fashioning. 4. Deconstructing d'Indy,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford ; New York :
Oxford University Press,
2008.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Pasler, Jann. | |
| 245 | 1 | 0 | |a Writing through music : |b essay on music, culture, and politics / |c Jann Pasler ; with a foreword by George Lewis. |
| 260 | |a Oxford ; |a New York : |b Oxford University Press, |c 2008. | ||
| 300 | |a 1 online resource (xiv, 513 pages) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Time, narrative, and memory. Narrative and narrativity in music ; Postmodernism, narrativity, and the art of memory ; Resituating the spectral revolution : French antecedents -- Self-fashioning. Deconstructing d'Indy, or the problem of a composer's reputation ; New music as confrontation : the musical sources of Cocteau's identity ; Inventing a tradition : John Cage's "Composition in retrospect" -- Identity and nation. Pelléas and power : forces behind the reception of Debussy's opera ; The ironies of gender, or virility and politics in the music of Augusta Holmès ; Race, orientalism, and distinction in the wake of the "Yellow peril" -- Patrons and patronage. Countess Greffulhe as entrepreneur : negotiating class, gender, and nation ; The political economy of composition in the American university, 1965-1985 -- The everyday life of the past. Concert programs and their narratives as emblems of ideology ; Material culture and postmodern positivism : rethinking the "popular" in late nineteenth-century French music. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a List of Illustrations. List of Musical Examples. Introduction. I. Time, Narrative, and Memory. 1. Narrative and Narrativity in Music. 2. Postmodernism, Narrativity, and the Art of Memory. 3. Resituating the Spectral Revolution: French Antecedents. II. Self-Fashioning. 4. Deconstructing d'Indy, or the Problem of a Composer's Reputation. 5. New Music as Confrontation: the Musical Sources of Cocteau's Identity. 6. Inventing a tradition: John Cage's Composition in Retrospect. III. Identity and Nation. 7. Pelleas and Power: Forces behind the Reception of Debussy's Opera. 8. The Ironies of Gender, o. | ||
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| 600 | 1 | 7 | |a Debussy, Claude |d 1862-1918 |t Pelléas et Mélisande |2 gnd |
| 600 | 1 | 7 | |a Debussy, Claude. |2 swd |
| 650 | 0 | |a Music |x Social aspects. | |
| 650 | 0 | |a Music |x History and criticism. | |
| 650 | 6 | |a Musique |x Aspect social. | |
| 650 | 6 | |a Musique |x Histoire et critique. | |
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| 650 | 7 | |a Music |x Social aspects |2 fast | |
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| 650 | 7 | |a Musiksoziologie. |2 idszbz | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Writing through music (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGtYPRpt4C6jqHM99GWBCP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Pasler, Jann. |t Writing through music. |d Oxford ; New York : Oxford University Press, 2008 |z 9780195324891 |z 0195324897 |w (DLC) 2006037220 |w (OCoLC)76064728 |
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