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The end of early music : a period performer's history of music for the twenty-first century /
Covering historical performance practice in its broadest sense this text identifies common performing styles, comparing and using sound recordings from the past. To help musicians distinguish between Period and Romantic styles, it engages with controversial topics in the field in defining the differ...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford ; New York :
Oxford University Press,
2007.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction
- Part I. Performing styles. When you say something differently, you say something different ; Mind the gap : current styles ; Mainstream style : "Chops, but no soul"
- Part II. How romantic are we? Classical music's coarse caress ; The transparent performer ; Changing meanings, permanent symbols
- Part III. Anachronism and authenticity. Original ears ; Ways of copying the past ; The medium is the message : period instruments
- Part IV. What makes baroque music "baroque"? Baroque expression and romantic expression compared ; The rainbow and the kaleidoscope : romantic phrasing compared with baroque
- Part V. The end of "early" music. Passive and active musicking : stop staring and grow your own ; Perpetual revolution.