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|a Avant-garde and criticism /
|c edited by Klaus Beekman and Jan de Vries.
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|a Avant Garde critical studies ;
|v 21
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|a Includes bibliographical references.
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|a Introduction : criticism and avant-garde / Klaus Beekman and Jan de Vries -- Art criticism and avant-garde : Andre Lhote's written works / Jean-Roch Bouiller -- Architectural criticism in de 8 en OPBOUW / Ben Rebel -- Theo van Doesburg and writings on film in De Stijl / Ansje van Beusekom -- The International Theatre Exhibition of 1922 and the critics / Peter G.F. Eversmann -- The making of a reputation : the case of Cobra / Nico Laan -- Avant-garde reviewing of new book releases : a case study from The Netherlands / Hugo Verdaasdonk -- Mayakovsky as literary critic / Willem G. Weststeijn -- German art in The Netherlands before and after World War II / Gregor Langfeld -- Banality in art criticism : comments on the reception of art in the German daily press of the 1920s / Arie Hartog -- A victorious campaign for Dadaism? : on the press coverage of the Dutch Dada tour of 1923 / Hubert F. van den Berg -- The inevitability of argumentative criticism : Theo van Doesburg and the constructive review / Klaus Beekman -- On intentionality and avant-garde criticism / Ralf Gruttemeier -- Resistance to the avant-garde : criticism of the avant-garde in Dutch literary periodicals / Wiljan van den Akker and Gillis Dorleijn -- Dutch contemporaries on Proust and the historic avant-garde / Sabine van Wesemael -- The writing artists of the magazine Kroniek van Kunst en Kultuur (Chronicle of Art and Culture) in the period 1935-1941 / Hestia Bavelaar.
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|a "Avant-Garde and Criticism sheds new light on the complex aims, functions, practices and contexts of art-criticism in relation to the European avant-garde. Although many avant-garde works and the avant-gardes of various countries have been analyzed, considerably less attention has been given to the reviews in newspapers and journals on avant-garde literature, art, architecture and film. This volume of Avant-Garde Critical Studies will look at how art critics operated in a strategic way. The strategies of avant-garde criticism are diverse. Art critics, especially when they are artists themselves, attempt to manipulate the cultural climate in their favour. They use their position to legitimize avant-garde concepts and to conquer a place in the cultural field. But they are also markedly influenced by the context in which they operate. The position of fellow-critics and the ideological bias of the papers in which they publish can be as important as the political climate in which their criticism flourishes. The analysis of avant-garde art criticism can also make clear how strategies sometimes fail and involuntarily display non-avant-garde characteristics. On the other hand traditionalist criticism on the avant-garde offers new insights into its status and reception in a given time and place"--
|c Provided by publisher.
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|a Electronic reproduction.
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|d 2010.
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|a English.
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|a Avant-garde (Aesthetics)
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