Freedom to offend : how New York remade movie culture /

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In the postwar era, producers and consumers of cinema began to demand more freedom to make and view movies that accurately portrayed the complexities of real life. In Freedom to Offend, Raymond J. Haberski Jr. details the battles, fought largely in New York City, to secure "freedom of the scree...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Haberski, Raymond J., 1968-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington : University Press of Kentucky, ©2007.
Colección:Book collections on Project MUSE.
Temas:
Motion pictures > Censorship > New York (State) > New York > History.
Film criticism > New York (State) > New York > History.
Motion pictures > New York (State) > New York > History.
Culture in motion pictures.
Cinéma > Censure > New York (État) > New York > Histoire.
Critique cinématographique > New York (État) > New York > Histoire.
Cinéma > New York (État) > New York > Histoire.
Culture au cinéma.
POLITICAL SCIENCE > Censorship.
PERFORMING ARTS > Film & Video > History & Criticism.
Culture in motion pictures
Film criticism
Motion pictures
Motion pictures > Censorship
New York (State) > New York
Electronic books.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Front cover; Copyright; Contents; Acknowledgments; Introduction; 1. The Web of Control; 2. The Miracle and Bosley Crowther; 3. Baby Doll and Commnweal Criticism; 4. Amos Vogel and Confrontational Cinema; 5. The ""Flaming"" Freedom of Jonas Mekas; 6. The End of New York Movie Culture; 7. Did Bonnie and Clyde Kill Bosley Crowther?; 8. The Failure of Porno Chic; Conclusion: The Irrelevance of Controversial Culture; Notes; Bibliography; Index.

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