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In search of "Kynde Knowynge" : Piers Plowman and the origin of allegory /

Readers today no longer relish sustained allegorical narratives the way they did in the Middle Ages, when the art of 'other-speaking' was as dominant in poetic discourse as it was elsewhere. Yet we live in an age which, following the postmodernist dictum that any sign can only refer to oth...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kasten, Madeleine
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Rodopi, 2007.
Colección:Costerus ; new ser., v. 168.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kasten, Madeleine. 
245 1 0 |a In search of "Kynde Knowynge" :  |b Piers Plowman and the origin of allegory /  |c Madeleine Kasten. 
260 |a Amsterdam :  |b Rodopi,  |c 2007. 
300 |a 1 online resource (257 pages) 
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380 |a Bibliography 
490 1 |a Costerus ;  |v new ser., 168 
500 |a "Originated in a dissertation project ..."--Page 9 
504 |a Includes bibliographical references (pages 235-249) and index. 
505 0 |a ACKNOWLEDGEMENTS; INTRODUCTION; PART ONE; I: 'Such Stuff As Dreams Are Made On': Allegory and Dream Poetry; II: 'Musynge On This Metels': The Rhetoric of Allegorical Dynamics; III: 'The Seal Of The All-Too-Earthly': Walter Benjamin and the Dialectic of the Allegorical Sign; PART TWO; IV: Piers Plowman: Life of a Text; V: 'Speche, That Spire Is Of Grace': Piers Plowman and the Magic of Language; VI: Piers Plowman -- The Second Dream; VII: Piers Plowman -- The Fourth and Fifth Dreams; VIII: Piers Plowman -- The Sixth, Seventh, and Eighth Dreams; AFTERWORD: THE WILL TO 'KYNDE KNOWYNGE' 
520 |a Readers today no longer relish sustained allegorical narratives the way they did in the Middle Ages, when the art of 'other-speaking' was as dominant in poetic discourse as it was elsewhere. Yet we live in an age which, following the postmodernist dictum that any sign can only refer to other signs, has declared all language liable to the 'allegorical condition'. This paradox has led the author to question the epistemological assumptions underlying allegories composed in an era which, conversely, favoured the oblique form of expression while professing its belief in the divine Logos as the ultim. 
588 0 |a Print version record. 
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600 1 0 |a Langland, William,  |d 1330?-1400?  |t Piers Plowman. 
600 1 6 |a Langland, William,  |d 1330?-1400?  |t Piers the Plowman. 
630 0 7 |a Piers Plowman (Langland, William)  |2 fast 
600 1 7 |a Langland, William.  |t Piers Plowman.  |2 swd 
650 0 |a Allegory. 
650 0 |a Dreams in literature. 
650 0 |a Dreams  |v Poetry. 
650 0 |a Visions  |v Poetry. 
650 0 |a Christian pilgrims and pilgrimages  |v Poetry. 
650 0 |a Christian poetry, English (Middle) 
650 6 |a Allégorie. 
650 6 |a Rêves dans la littérature. 
650 6 |a Rêves  |v Poésie. 
650 6 |a Visions  |v Poésie. 
650 6 |a Pèlerinages chrétiens  |v Poésie. 
650 6 |a Poésie chrétienne anglaise (moyen anglais) 
650 7 |a POETRY  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 7 |a Allegory  |2 fast 
650 7 |a Christian pilgrims and pilgrimages  |2 fast 
650 7 |a Christian poetry, English (Middle)  |2 fast 
650 7 |a Dreams  |2 fast 
650 7 |a Dreams in literature  |2 fast 
650 7 |a Visions  |2 fast 
650 7 |a Allegorie  |2 gnd 
655 7 |a Poetry  |2 fast 
655 7 |a poetry.  |2 aat 
655 7 |a Poetry.  |2 lcgft 
655 7 |a Poésie.  |2 rvmgf 
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