Cargando…

Steal this music : how intellectual property law affects musical creativity /

Is music property? Under what circumstances can music be stolen? Such questions lie at the heart of Joanna Demers's timely look at how overzealous intellectual property (IP) litigation both stifles and stimulates musical creativity. A musicologist, industry consultant, and musician, Demers diss...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Demers, Joanna Teresa, 1975- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Athens : University of Georgia Press, ©2006.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000 a 4500
001 EBOOKCENTRAL_ocn156909274
003 OCoLC
005 20240329122006.0
006 m o d
007 cr cnu---unuuu
008 070723s2006 gaua ob s001 0 eng d
040 |a N$T  |b eng  |e pn  |c N$T  |d YDXCP  |d OCLCQ  |d IDEBK  |d E7B  |d OCLCQ  |d OCLCO  |d OCLCQ  |d JSTOR  |d OCLCF  |d P@U  |d JSTOR  |d NLGGC  |d OCLCO  |d COO  |d EBLCP  |d DEBSZ  |d OCLCQ  |d AZK  |d MOR  |d PIFAG  |d ZCU  |d MERUC  |d OCLCQ  |d IOG  |d U3W  |d GRG  |d EZ9  |d STF  |d WRM  |d COCUF  |d NRAMU  |d ICG  |d INT  |d VT2  |d OCLCQ  |d AU@  |d WYU  |d OCLCQ  |d DKC  |d OCLCQ  |d CUS  |d HS0  |d OCLCQ  |d SFB  |d OCLCO  |d OCLCQ  |d BOL  |d MM9  |d OCLCQ  |d OCLCO  |d INARC  |d OCLCQ  |d OCLCO  |d OCLCL 
015 |a GBA606236  |2 bnb 
016 7 |a 013360163  |2 Uk 
019 |a 647879028  |a 764532497  |a 870355274  |a 889065146  |a 961485429  |a 962558965  |a 988504424  |a 992076808  |a 1037904371  |a 1038610539  |a 1045553261  |a 1055407988  |a 1058119640  |a 1058924396  |a 1081227272  |a 1109239284  |a 1114374734  |a 1125741147  |a 1136481500  |a 1148142697  |a 1228595947  |a 1285850283 
020 |a 9780820330754  |q (electronic bk.) 
020 |a 0820330752  |q (electronic bk.) 
020 |z 0820327107  |q (hardcover ;  |q alk. paper) 
020 |z 0820327778  |q (pbk. ;  |q alk. paper) 
020 |z 9780820327105  |q (hardcover ;  |q alk. paper) 
020 |z 9780820327778  |q (pbk. ;  |q alk. paper) 
024 8 |a 99956640160 
029 1 |a AU@  |b 000044589534 
029 1 |a AU@  |b 000053028159 
029 1 |a DEBBG  |b BV044091773 
029 1 |a DEBSZ  |b 449587878 
029 1 |a NZ1  |b 13863329 
035 |a (OCoLC)156909274  |z (OCoLC)647879028  |z (OCoLC)764532497  |z (OCoLC)870355274  |z (OCoLC)889065146  |z (OCoLC)961485429  |z (OCoLC)962558965  |z (OCoLC)988504424  |z (OCoLC)992076808  |z (OCoLC)1037904371  |z (OCoLC)1038610539  |z (OCoLC)1045553261  |z (OCoLC)1055407988  |z (OCoLC)1058119640  |z (OCoLC)1058924396  |z (OCoLC)1081227272  |z (OCoLC)1109239284  |z (OCoLC)1114374734  |z (OCoLC)1125741147  |z (OCoLC)1136481500  |z (OCoLC)1148142697  |z (OCoLC)1228595947  |z (OCoLC)1285850283 
037 |a 22573/ctt3q54bm  |b JSTOR 
043 |a n-us--- 
050 4 |a KF3035  |b .D46 2006eb 
072 7 |a LAW  |x 001000  |2 bisacsh 
072 7 |a SOC022000  |2 bisacsh 
072 7 |a LAW050000  |2 bisacsh 
072 7 |a MUS020000  |2 bisacsh 
082 0 4 |a 346.7304/82  |2 22 
049 |a UAMI 
100 1 |a Demers, Joanna Teresa,  |d 1975-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PCjBhRGxhhHTGG4TCWVX36X 
245 1 0 |a Steal this music :  |b how intellectual property law affects musical creativity /  |c Joanna Demers. 
260 |a Athens :  |b University of Georgia Press,  |c ©2006. 
300 |a 1 online resource (xiv, 178 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
340 |g polychrome.  |2 rdacc  |0 http://rdaregistry.info/termList/RDAColourContent/1003 
347 |a text file  |2 rdaft  |0 http://rdaregistry.info/termList/fileType/1002 
504 |a Includes bibliographical references (pages 159-169) and index. 
505 0 0 |t Making music in the soundscapes of the law /  |r Rosemary Coombe --  |t Acknowledgments --  |t Introduction --  |t Music as intellectual property --  |t Arrangements and musical allusion --  |t Duplication --  |t The shadow of the law. 
588 0 |a Print version record. 
520 8 |a Is music property? Under what circumstances can music be stolen? Such questions lie at the heart of Joanna Demers's timely look at how overzealous intellectual property (IP) litigation both stifles and stimulates musical creativity. A musicologist, industry consultant, and musician, Demers dissects works that have brought IP issues into the mainstream culture, such as DJ Danger Mouse's "Grey Album" and Mike Batt's homage-gone-wrong to John Cage's silent composition "4'33" Demers also discusses such artists as Ice Cube, DJ Spooky, and John Oswald, whose creativity is sparked by their defiant circumvention of licensing and copyright issues. Demers is concerned about the fate of transformative appropriation - the creative process by which artists and composers borrow from, and respond to, other musical works. In the United States, only two elements of music are eligible for copyright protection: the master recording and the composition (lyrics and melody) itself. Harmony, rhythm, timbre, and other qualities that make a piece distinctive are virtually unregulated. This two-tiered system had long facilitated transformative appropriation while prohibiting blatant forms of theft. The advent of digital file sharing and the specter of global piracy changed everything, says Demers. Now, record labels and publishers are broadening the scope of IP "infringement" to include allusive borrowing in all forms: sampling, celebrity impersonation - even Girl Scout campfire sing-alongs. Paying exorbitant licensing fees or risking even harsher penalties for unauthorized borrowing have become the only options for some musicians. Others, however, creatively sidestep not only the law but also the very infrastructure of the music industry. Moving easily between techno and classical, between corporate boardrooms and basement recording studios, Demers gives us new ways to look at the tension between IP law, musical meaning and appropriation, and artistic freedom 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Copyright  |x Music  |z United States. 
650 0 |a Composition (Music) 
650 0 |a Intellectual property  |z United States. 
650 6 |a Droit d'auteur  |x Musique  |z États-Unis. 
650 6 |a Composition (Musique) 
650 6 |a Propriété intellectuelle  |z États-Unis. 
650 7 |a LAW  |x Administrative Law & Regulatory Practice.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Popular Culture.  |2 bisacsh 
650 7 |a Composition (Music)  |2 fast 
650 7 |a Copyright  |x Music  |2 fast 
650 7 |a Intellectual property  |2 fast 
651 7 |a United States  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 
758 |i has work:  |a Steal this music (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGkXT9QJ4XvcfbH8dPyqV3  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Demers, Joanna Teresa, 1975-  |t Steal this music.  |d Athens : University of Georgia Press, ©2006  |z 0820327107  |z 9780820327105  |w (DLC) 2005021226  |w (OCoLC)61162233 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3038824  |z Texto completo 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL3038824 
938 |a ebrary  |b EBRY  |n ebr10367046 
938 |a EBSCOhost  |b EBSC  |n 192018 
938 |a Internet Archive  |b INAR  |n stealthismusicho0000deme 
938 |a Project MUSE  |b MUSE  |n muse14481 
938 |a YBP Library Services  |b YANK  |n 2599985 
994 |a 92  |b IZTAP