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The animated man : a life of Walt Disney /

Walt Disney (1901-1966) was one of the most significant creative forces of the twentieth century, a man who made a lasting impact on the art of the animated film, the history of American business, and the evolution of twentieth-century American culture. He was both a creative visionary and a dynamic...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Barrier, J. Michael
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley : University of California Press, ©2007.
Colección:Simpson Book in the Humanities.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The animated man :  |b a life of Walt Disney /  |c Michael Barrier. 
260 |a Berkeley :  |b University of California Press,  |c ©2007. 
300 |a 1 online resource (xviii, 393 pages, 16 unnumbered pages of plates) :  |b illustrations 
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504 |a Includes bibliographical references (pages 327-377) and index. 
505 0 |a Introduction : "It's all me" -- "The pet in the family" : on the farm and in the city, 1901-1923 -- "A cute idea" : the self-taught filmmaker, 1923-1928 -- "You've got to really be Minnie" : building a better mouse, 1928-1933 -- "This character was a live person" : the leap to feature films, 1934-1938 -- "A drawing factory" : ambition's price, 1938-1941 -- "A queer, quick, delightful gink" : on a treadmill, 1941-1947 -- "Caprices and spurts of childishness" : escaping from animation, 1947-1953 -- "He was interested in something else" : escaping from film, 1953-1959 -- "This is where I am happy" : restless in the Magic Kingdom, 1959-1965 -- "He drove himself right up to the end" : dreaming of a nightmare city, 1965-1966 -- Afterword : "Let's never not be a silly company." 
588 0 |a Print version record. 
520 |a Walt Disney (1901-1966) was one of the most significant creative forces of the twentieth century, a man who made a lasting impact on the art of the animated film, the history of American business, and the evolution of twentieth-century American culture. He was both a creative visionary and a dynamic entrepreneur, roles whose demands he often could not reconcile. In his compelling new biography, noted animation historian Michael Barrier avoids the well-traveled paths of previous biographers, who have tended to portray a blemish-free Disney or to indulge in lurid speculation. Instead, he takes the full measure of the man in his many aspects. A consummate storyteller, Barrier describes how Disney transformed himself from Midwestern farm boy to scrambling young businessman to pioneering artist and, finally, to entrepreneur on a grand scale. Barrier describes in absorbing detail how Disney synchronized sound with animation in Steamboat Willie; created in Snow White and the Seven ... 
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