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The theatre of Apollo : divine justice and Sophocles' Oedipus the king /

By imaginatively recreating the play's original staging and debunking the interpretations of various critics, including Aristotle, Ulrich von Wilamowitz-Moellendorff, E.R. Dodds, Frederick Ahl, and John Peradotto, Griffith shows that Apollo is a constant, powerful presence throughout the play....

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Griffith, R. Drew, 1958- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Montreal, Que. : McGill-Queen's University Press, 1996.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The theatre of Apollo :  |b divine justice and Sophocles' Oedipus the king /  |c R. Drew Griffith. 
246 3 |a Theater of Apollo 
246 3 0 |a Divine justice and Sophocles' Oedipus the king 
260 |a Montreal, Que. :  |b McGill-Queen's University Press,  |c 1996. 
300 |a 1 online resource (x, 147 pages) 
336 |a text  |b txt  |2 rdacontent 
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588 0 |a Print version record. 
504 |a Includes bibliographical references and index. 
505 0 |a 1. Poem as Fact: The Historical Method in Literary Criticism -- 2. Stage Directions for Sophocles' Oedipus the King -- 3. Oedipus Pharmakos? Alleged Scapegoating in the Play -- 4. Asserting Eternal Providence: The Question of Guilt -- 5. The Authority of Prophecy: Theodicy in the play -- 6. Reading the Name of Oedipus and Other Riddles -- 7. The Humiliation of Oedipus -- 8. Conclusion -- App. A. The Date of the Play -- App. B. The Scene of the Crime -- App. C. The Meaning of [actual symbol not reproducible](786). 
520 |a By imaginatively recreating the play's original staging and debunking the interpretations of various critics, including Aristotle, Ulrich von Wilamowitz-Moellendorff, E.R. Dodds, Frederick Ahl, and John Peradotto, Griffith shows that Apollo is a constant, powerful presence throughout the play. He contends that although we can sympathize with Oedipus because of his sufferings, he is still morally responsible for murdering his father and sleeping with his mother. Apollo is therefore not indifferent and his actions are not unjust. Griffith focuses on Apollo's commandment "know thyself," a commandment Oedipus belatedly and tragically fulfils, to stress both the need for self-understanding in the study of ancient literature and the usefulness of ancient literature in achieving self-understanding. 
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600 0 0 |a Sophocles.  |t Oedipus at Colonus. 
600 0 0 |a Sophocles.  |t Oedipus Rex. 
600 0 0 |a Oedipus  |c (Greek mythological figure)  |x In literature. 
600 0 0 |a Apollo  |c (Deity)  |x In literature. 
600 0 6 |a Sophocle.  |t ŒDipus Coloneus. 
600 0 7 |a Apollo  |c (Deity)  |2 fast 
600 0 7 |a Oedipus  |c (Greek mythological figure)  |2 fast 
630 0 7 |a Oedipus at Colonus (Sophocles)  |2 fast 
630 0 7 |a Oedipus Rex (Sophocles)  |2 fast 
600 1 7 |a Sophocles.  |2 swd 
600 0 7 |a Apollon.  |2 swd 
630 0 7 |a Oedipus tyrannus.  |2 swd 
650 0 |a Justice in literature. 
650 6 |a Apollon (Divinité grecque) dans la littérature. 
650 6 |a Justice dans la littérature. 
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650 7 |a Literature  |2 fast 
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776 0 8 |i Print version:  |a Griffith, R. Drew, 1958-  |t Theatre of Apollo.  |d Montreal ; Buffalo : McGill-Queen's University Press, ©1996  |z 0773515003  |w (DLC) 97187270  |w (OCoLC)36167122 
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