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Apocalyptic dread : American film at the turn of the millennium /

"In Apocalyptic Dread, Kirsten Moana Thompson examines how fears and anxieties about the future are reflected in recent American cinema. Through close reading of such films as Cape Fear, Candyman, Dolores Claiborne, Se7en, Signs, and War of the Worlds, Thompson argues that a longstanding Americ...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Thompson, Kirsten Moana
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Albany : State University of New York Press, ©2007.
Colección:SUNY series, horizons of cinema.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Thompson, Kirsten Moana. 
245 1 0 |a Apocalyptic dread :  |b American film at the turn of the millennium /  |c Kirsten Moana Thompson. 
260 |a Albany :  |b State University of New York Press,  |c ©2007. 
300 |a 1 online resource (xii, 195 pages) :  |b illustrations 
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490 1 |a The SUNY series, horizons of cinema 
504 |a Includes bibliographical references (pages 175-179) and index. 
588 0 |a Print version record. 
505 0 0 |g Machine generated contents note:  |g 1.  |t Apocalyptic dread, Kierkegaard, and the cultural landscape of the millennium --  |g 2.  |t Cape fear and trembling : familial dread --  |g 3.  |t Strange fruit : Candyman and supernatural dread --  |g 4.  |t Dolores Claiborne : memorial dread --  |g 5.  |t Se7en in the morgue : dystopian dread --  |g 6.  |t Signs of the end of the world : apocalyptic dread. 
520 |a "In Apocalyptic Dread, Kirsten Moana Thompson examines how fears and anxieties about the future are reflected in recent American cinema. Through close reading of such films as Cape Fear, Candyman, Dolores Claiborne, Se7en, Signs, and War of the Worlds, Thompson argues that a longstanding American apocalyptic tradition permeates our popular culture, spreading from science-fiction and disaster films into horror, crime, and melodrama. Drawing upon Kierkegaard's notion of dread - that is, a fundamental anxiety and ambivalence about existential choice and the future - Thompson suggests that the apocalyptic dread revealed in these films, and its guiding tropes of violence, retribution, and renewal, also reveal deep-seated anxieties about historical fragmentation and change, anxieties that are in turn displaced onto each film's particular "monster," whether human, demonic, or eschatological."--Jacket 
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650 0 |a Horror films  |z United States  |x History and criticism. 
650 0 |a Disaster films  |z United States  |x History and criticism. 
650 0 |a Science fiction films  |z United States  |x History and criticism. 
650 0 |a Apocalypse in motion pictures. 
650 6 |a Films d'horreur  |z États-Unis  |x Histoire et critique. 
650 6 |a Films-catastrophes  |z États-Unis  |x Histoire et critique. 
650 6 |a Films de science-fiction  |z États-Unis  |x Histoire et critique. 
650 6 |a Fin du monde au cinéma. 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Reference.  |2 bisacsh 
650 7 |a Apocalypse in motion pictures  |2 fast 
650 7 |a Disaster films  |2 fast 
650 7 |a Horror films  |2 fast 
650 7 |a Science fiction films  |2 fast 
651 7 |a United States  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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776 0 8 |i Print version:  |a Thompson, Kirsten Moana.  |t Apocalyptic dread.  |d Albany : State University of New York Press, ©2007  |z 9780791470435  |z 0791470431  |w (DLC) 2006013425  |w (OCoLC)67405639 
830 0 |a SUNY series, horizons of cinema. 
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