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The real gaze : film theory after Lacan /
The Real Gaze develops a new theory of the cinema by rethinking the concept of the gaze, which has long been central in film theory. Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical pot...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Albany :
State University of New York Press,
©2007.
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| Colección: | SUNY series in psychoanalysis and culture.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Fantasy and showing too much
- Theoretical fantasizing
- The politics of cinematic fantasy
- Early explorations of fantasy
- The coldness of Kubrick
- Spike Lee's fantasmatic explostions
- Michael Mann and the ethics of excess
- The bankruptcy of fantasy in Fellini
- Desire and not showing enough
- Theoretical desiring
- The politics of cinematic desire
- The impossible object of the Nouvelle Vague
- The banality of Orson Welles
- Claire Denis and the other's failure to enjoy
- Political desire in Italian neorealism
- The intermixing of desire and fantasy
- The theoretical opposition
- The politics of the cinema of integration
- The ordinary cinema of Ron Howard
- Steven Spielberg's search for the father
- D.W. Griffith's suspense
- Films that separate
- The separation of desire and fantasy
- Theorizing the real
- The politics of the cinema of intersection
- The overlapping worlds of Andrei Tarkovsky
- Alain Resnais between the present and the past
- Wim Wnders and the ethics of fantasizing
- The sexual relationship with David Lynch.