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This is a picture and not the world : movies and a post-9/11 America /
"In This Is a Picture and Not the World, Joseph Natoli employs the lingua franca of film itself - screenplay dialogue - as well as the more recent form of the political blog to present a hyperreal account of popular film as both a creator and a reflector of our post-9/11 mass psyche. Drawing on...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Albany :
State University of New York Press,
©2007.
|
| Colección: | SUNY series in postmodern culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Natoli, Joseph P., |d 1943- |1 https://id.oclc.org/worldcat/entity/E39PBJg8MgXdyGvbT3f863XDbd | |
| 245 | 1 | 0 | |a This is a picture and not the world : |b movies and a post-9/11 America / |c Joseph Natoli. |
| 260 | |a Albany : |b State University of New York Press, |c ©2007. | ||
| 300 | |a 1 online resource (vii, 283 pages) | ||
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| 490 | 1 | |a The SUNY series in postmodern culture | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g Machine generated contents note: |t Behind the scenes : a preproduction Q & A -- |t Outtake : postmod screwball -- |t Futurescape -- |t Frontierscape -- |t Noirscape -- |t Sneak preview : magic town : America's Heartland -- |t Documentary : the short-term memory detective -- |t Shortscape : never far from melodrama -- |t Trailer : the Jesus genre -- |t This genre does not exist -- |t Fearscape/thrillscape/nightscape -- |t American cool. |
| 520 | |a "In This Is a Picture and Not the World, Joseph Natoli employs the lingua franca of film itself - screenplay dialogue - as well as the more recent form of the political blog to present a hyperreal account of popular film as both a creator and a reflector of our post-9/11 mass psyche. Drawing on both classic and contemporary film examples, the book also offers a quasihistory of film genres, including science fiction, the western, film noir, and screwball comedy, emphasizing how these genres have been shaken up, recontextualized, recombined, turned self-reflexive, and parodied over the past couple of decades. Taken together, these satirical parodies of screenplays and blogs reveal and perform how our very gaze has shifted from modern to postmodern, from a direct view of the world to a filtered one."--Jacket | ||
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