The third hand : collaboration in art from conceptualism to postmodernism /

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Since the 1960s, a number of artists have challenged the dominant paradigm of art-that of the lone artist-by embarking on long-term collaborations that dramatically altered the terms of artistic identity. In The Third Hand, Charles Green offers a sustained critical examination of collaboration in in...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Green, Charles, 1953- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, ©2001.
Temas:
Artistic collaboration > Case studies.
Artist couples > Case studies.
Conceptual art.
Modernism (Art)
Postmodernism.
Collaboration artistique > Cas, Études de.
Couples d'artistes > Cas, Études de.
Art conceptuel.
Modernisme (Art)
Postmodernisme.
Collaboration artistique > Études de cas.
Couples d'artistes > Études de cas.
Conceptual.
ART > General.
Artist couples
Artistic collaboration
Conceptual art
Postmodernism
Kunst
Postmoderne
Kooperation
Künstler
Paar
Modernisme (art)
Collaboration artistique.
Postmodernisme (Art)
Couple.
Artiste.
Case studies
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Art by long distance: Joseph Kosuth
  • Conceptual bureaucracy: Ian Burn, Mel Ramsden, and art and language
  • Memory, ruins, and archives: Boyle family
  • Memory storage: Anne and Patrick Poirier
  • Memory and ethics: Helen Mayer Harrison and Newton Harrison
  • Negotiated identity: Christo and Jeanne-Claude
  • Eliminating personality: Gilbert and George
  • Missing in action: Marina Abramović and Ullay
  • Doubles, Doppelgängers, and the third hand.

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