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|a Green, Charles,
|d 1953-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PBJkdjvRJcty94jt4DgfQbd
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|a The third hand :
|b collaboration in art from conceptualism to postmodernism /
|c Charles Green.
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|a Minneapolis :
|b University of Minnesota Press,
|c ©2001.
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|a 1 online resource (xvii, 246 pages) :
|b illustrations
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|a text
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|a Includes bibliographical references (pages 201-234) and index.
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|a Art by long distance: Joseph Kosuth -- Conceptual bureaucracy: Ian Burn, Mel Ramsden, and art and language -- Memory, ruins, and archives: Boyle family -- Memory storage: Anne and Patrick Poirier -- Memory and ethics: Helen Mayer Harrison and Newton Harrison -- Negotiated identity: Christo and Jeanne-Claude -- Eliminating personality: Gilbert and George -- Missing in action: Marina Abramović and Ullay -- Doubles, Doppelgängers, and the third hand.
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|a Print version record.
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|a Since the 1960s, a number of artists have challenged the dominant paradigm of art-that of the lone artist-by embarking on long-term collaborations that dramatically altered the terms of artistic identity. In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary art.
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|a English.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a Artistic collaboration
|v Case studies.
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|a Artist couples
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|a Conceptual art.
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|i has work:
|a The third hand (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGyMQ87bGT66DmQf3qRjbq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Green, Charles, 1953-
|t Third hand.
|d Minneapolis : University of Minnesota Press, ©2001
|z 0816637121
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