Stages and playgoers : from guild plays to Shakespeare /

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"The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the au...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hill, Janet, 1943- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Montreal ; Ithaca [NY] : McGill-Queen's University Press, ©2002.
Temas:
Shakespeare, William, > 1564-1616 > Stage history > To 1625.
Shakespeare, William, > 1564-1616 > Technique.
Shakespeare, William, > 1564-1616
To 1699
English drama > Early modern and Elizabethan, 1500-1600 > History and criticism.
Mysteries and miracle-plays, English > History and criticism.
English drama > 17th century > History and criticism.
Theater audiences > England > History > 16th century.
Theater audiences > England > History > 17th century.
Theater audiences > England > History > To 1500.
Drama > Technique.
Soliloquy.
Monologue.
Soliloque.
Théâtre (Genre littéraire) > Technique.
Théâtre anglais > 16e siècle > Histoire et critique.
Théâtre anglais > 17e siècle > Histoire et critique.
Mystères et miracles anglais > Histoire et critique.
Théâtre > Publics > Angleterre > Histoire > 16e siècle.
Théâtre > Publics > Angleterre > Histoire > 17e siècle.
DRAMA > English, Irish, Scottish, Welsh.
LITERARY CRITICISM > Drama.
Monologue
Theater audiences
Technique
Mysteries and miracle-plays, English
Drama > Technique
English drama
English drama > Early modern and Elizabethan
Soliloquy
Publikum
Theater
Drama
Geschichte 1400-1616.
England
Englisch.
Electronic books.
History
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction
  • Oure plays
  • Nonce plays
  • I know you all
  • Open address in the romances.

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