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Elisabeth Vigée Le Brun : the odyssey of an artist in an age of revolution /
The foremost woman artist of her age, Elisabeth Vigée Le Brun (1755-1842) exerted her considerable charm to become the friend, and then official portraitist, of Marie Antoinette. Though profitable, this role made her a public and controversial figure, and in 1789 it precipitated her exile. In a Eur...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Haven [Conn.] :
Yale University Press,
[2005]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a Elisabeth Vigée Le Brun : |b the odyssey of an artist in an age of revolution / |c Gita May. |
| 264 | 1 | |a New Haven [Conn.] : |b Yale University Press, |c [2005] | |
| 264 | 4 | |c ©2005 | |
| 300 | |a 1 online resource (237 pages, 16 pages of plates) : |b illustrations (some color) | ||
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| 504 | |a Includes bibliographical references (pages 205-220) and index. | ||
| 505 | 0 | |a Early years -- First successes -- Marriage -- Marie-Antoinette's portraitist -- Vigée Le Brun salonnière -- 1789 -- Rome -- Naples, Venice, Milan -- Vienna -- The Russian experience -- Homeward bound -- The English interlude -- Return to imperial France -- An active old age. | |
| 520 | |a The foremost woman artist of her age, Elisabeth Vigée Le Brun (1755-1842) exerted her considerable charm to become the friend, and then official portraitist, of Marie Antoinette. Though profitable, this role made her a public and controversial figure, and in 1789 it precipitated her exile. In a Europe torn by strife and revolution, this singularly gifted and high-spirited woman nevertheless managed to thrive as an independent, self-supporting artist, doggedly setting up studios in Rome, Naples, Venice, Milan, Vienna, St. Petersburg, and London. Long overlooked or dismissed, Vigée Le Brun's portraits now hang in the Louvre, in a room of their own, as well as in all leading art museums of the world. Illustrations include sixteen of her portraits presented in full color.--From publisher description. | ||
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