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100 1 |a Block, Geoffrey Holden,  |d 1948-  |1 https://id.oclc.org/worldcat/entity/E39PCjFmwghRyFQ6xjwkWMw4md 
245 1 0 |a Richard Rodgers /  |c Geoffrey Block. 
260 |a New Haven :  |b Yale University Press,  |c ©2003. 
300 |a 1 online resource (xiii, 315) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file 
490 1 |a Yale Broadway masters 
504 |a Includes bibliographical references and indexes. 
505 0 |a From apprentice to musical dramatist -- A tale of two Connecticut Yankees -- Hits, long runs, and a musical comedy of errors -- World War II, the musical : South Pacific -- Broadway comes to television : the three Cinderellas -- After Hammerstein. 
588 0 |a Print version record. 
520 8 |a Annotation  |b "In this book, Geoffrey Block examines for the first time the entire range of Rodgers's work, providing rich details about the creation, staging, and critical reception of some of his most popular musicals." "Block traces Rodgers's musical education, his early work, and the development of his musical and dramatic language. He focuses on two Rodgers and Hart shows: A Connecticut Yankee, their longest-running musical of the 1920s and the only show that they chose to revise and revive, and The Boys from Syracuse, the first Broadway musical based on Shakespeare and one of the few 1930s musicals to enjoy frequent revivals. The central chapter, on Rodgers and Hammerstein's South Pacific, explores the translation of James Michener's popular novel to the stage and reveals how the subsequent film and televised broadcast reflected the sensibilities of their different eras. In a second Rodgers and Hammerstein chapter Block explains how (and why) the three televised versions of Cinderella reinterpreted a classic fairy tale for successive generations of viewers. He concludes with the first serious look at the five neglected and often maligned musicals that Rodgers composed in the 1960s and 1970s, after the death of Hammerstein."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
600 1 0 |a Rodgers, Richard,  |d 1902-1979  |x Criticism and interpretation. 
600 1 6 |a Rodgers, Richard,  |d 1902-1979. 
600 1 6 |a Rodgers, Richard,  |d 1902-1979  |x Critique et interprétation. 
600 1 7 |a Rodgers, Richard,  |d 1902-1979  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJpdRcj9JBXcmkDVPVjKVC 
650 0 |a Composers  |z United States  |v Biography. 
650 6 |a Compositeurs  |z États-Unis  |v Biographies. 
650 7 |a MUSIC  |x Genres & Styles  |x Musicals.  |2 bisacsh 
650 7 |a MUSIC  |x General.  |2 bisacsh 
650 7 |a Composers  |2 fast 
651 7 |a United States  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 
655 2 |a Biography 
655 7 |a Biographies  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a Biographies.  |2 lcgft 
655 7 |a Biographies.  |2 rvmgf 
758 |i has work:  |a Richard Rodgers (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGhpvJX78DjjWccYrmGbkC  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Block, Geoffrey Holden, 1948-  |t Richard Rodgers.  |d New Haven : Yale University Press, ©2003  |z 0300097476  |z 9780300097474  |w (DLC) 2003002412  |w (OCoLC)51613909 
830 0 |a Yale Broadway masters. 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3420150  |z Texto completo 
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