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Making easy listening : material culture and postwar American recording /
In Making Easy Listening, Tim J. Anderson analyzes the period between the Second World War and the mid-1960s that saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Anderson presents a social and cultural history of musical production t...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
©2006.
|
| Colección: | Commerce and mass culture series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Anderson, Tim J. | |
| 245 | 1 | 0 | |a Making easy listening : |b material culture and postwar American recording / |c Tim J. Anderson. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c ©2006. | ||
| 300 | |a 1 online resource (xliv, 236 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 490 | 1 | |a Commerce and mass culture series | |
| 504 | |a Includes bibliographical references (pages 217-231) and index. | ||
| 505 | 0 | |a Introduction : opening tracks -- Managing the recording process and rethinking the recording bans. Buried under the fecundity of his own creations : the first strike of the American Federation of Musicians ; Counterreform and resignation : the second strike of the American Federation of Musicians -- Production, reproduction, and the case of My fair lady. Which voice best becomes the property? stitching the intertext of My fair lady ; Listening to my My fair lady : versioning and the recorded music object -- Stereo, hi-fi, and the modern pleasures of easy listening. A tale of two ears : the concert hall aesthetic and stereo ; Space, the pliable frontier : stereo as the new spatial palette of audio -- Conclusion : the flip side (and a few concluding thoughts). | |
| 588 | 0 | |a Print version record. | |
| 520 | |a In Making Easy Listening, Tim J. Anderson analyzes the period between the Second World War and the mid-1960s that saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Anderson presents a social and cultural history of musical production that aims to understand how recording technologies influence musicians', as well as listeners', lives. | ||
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Sound recording industry |z United States |x History. | |
| 650 | 0 | |a Sound recordings |x Production and direction |z United States. | |
| 650 | 0 | |a Popular culture |z United States |x History |y 20th century. | |
| 650 | 6 | |a Culture populaire |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Enregistrements sonores |x Industrie |z États-Unis |x Histoire. | |
| 650 | 7 | |a MUSIC |x Recording & Reproduction. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Popular culture |2 fast | |
| 650 | 7 | |a Sound recording industry |2 fast | |
| 650 | 7 | |a Sound recordings |x Production and direction |2 fast | |
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| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Making easy listening (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG8kw86gH8GvrVGDk6fVVK |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Anderson, Tim J. |t Making easy listening. |d Minneapolis : University of Minnesota Press, ©2006 |z 0816645175 |z 0816645183 |w (DLC) 2005035679 |w (OCoLC)62535993 |
| 830 | 0 | |a Commerce and mass culture series. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=310741 |z Texto completo |
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