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Debussy and the fragment /

Rather than solid frames, some less than perfect aesthetic objects have permeable membranes which allow them to diffuse effortlessly into the everyday world. In the parallel universes of music and literature, Linda Cummins extols the poetry of such imperfection. She places Debussy's work within...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Cummins, Linda (Linda Page)
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: Amsterdam ; New York, NY : Rodopi, 2006.
Colección:Chiasma ; 18.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Introduction; Chapter 1: Ruins of Convention; Conventions of Ruin; Chapter 2: Beginnings and Endings; Chapter 3: Arcadias and Arabesques; Chapter 4: The Sketch; Chapter 5: Auto-Quotation; Chapter 6: Preludes: A Postlude; Bibliography. 
520 |a Rather than solid frames, some less than perfect aesthetic objects have permeable membranes which allow them to diffuse effortlessly into the everyday world. In the parallel universes of music and literature, Linda Cummins extols the poetry of such imperfection. She places Debussy's work within a tradition thriving on anti-Aristotelian principles: motley collections, crumbling ruins real or fake, monstrous hybrids, patchwork and palimpsest, hasty sketches, ellipses, truncated beginnings and endings, meandering arabesques, irrelevant digressions, auto-quotations. Sensitive to the intermittences. 
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