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Shakespeare and Chekhov in production and reception : theatrical events and their audiences /
With a focus on the canonical institutions of Shakespeare and Chekhov, John Tulloch brings together for the first time new concepts of ""the theatrical event"" with live audience analysis. Using mainstream theatre productions from across the globe that were highly successful acco...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Iowa City :
University of Iowa Press,
©2005.
|
| Colección: | Studies in theatre history and culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Tulloch, John. | |
| 245 | 1 | 0 | |a Shakespeare and Chekhov in production and reception : |b theatrical events and their audiences / |c John Tulloch. |
| 260 | |a Iowa City : |b University of Iowa Press, |c ©2005. | ||
| 300 | |a 1 online resource (xv, 310 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Studies in theatre history & culture | |
| 505 | 0 | |a Defining theatrical event and audience research -- Spectatorship social audiences, and risk: Shakespeare and the Q theatre -- Imagining audiences: the Eyre-Griffiths productions of The cherry orchard -- The "reading Chekhov" project: social audiences and reading formations -- The theatrical event: inner and outer audience frames -- Contextual theatricality: the theatrical event as occasion and place -- Cultural contexts: theatrical event, liminality and risk in The free state and The cherry orchard -- Playing culture: pleasurable play in The free state and The cherry orchard -- Theatrical playing: Much Ado, mediatization and "liveness." | |
| 504 | |a Includes bibliographical references (pages 301-304) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a With a focus on the canonical institutions of Shakespeare and Chekhov, John Tulloch brings together for the first time new concepts of ""the theatrical event"" with live audience analysis. Using mainstream theatre productions from across the globe that were highly successful according to both critics and audiences, this book of case studies--ethnographies of production and reception--offers a combined cultural and media studies approach to analyzing theatre history, production, and audience. Tulloch positions these concepts and methodologies within a broader current theatrical debate between page | ||
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| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Dramatic production. |
| 600 | 1 | 0 | |a Chekhov, Anton Pavlovich, |d 1860-1904 |x Dramatic production. |
| 600 | 1 | 0 | |a Chekhov, Anton Pavlovich, |d 1860-1904 |x Stage history. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Stage history. |
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| 830 | 0 | |a Studies in theatre history and culture. | |
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