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|a Jackson, Myles W.
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|a Harmonious triads :
|b physicists, musicians, and instrument makers in nineteenth-century Germany /
|c Myles W. Jackson.
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|a Cambridge, Mass. :
|b MIT Press,
|c ©2006.
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|a 1 online resource (x, 395 pages) :
|b illustrations, music.
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|a Transformations
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|a Includes bibliographical references (pages 351-388) and index.
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|a Print version record.
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|a An analysis of the intersection of science and music in nineteenth-century Germany: how music provided physicists with a venue for experiments as well as a cultural resource, and how physics assisted musicians in their art and musical instrument makers in.
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|a ""Acknowledgments""; ""1 Introduction""; ""2 E.F.F. Chladni: The Nodal Point between Acoustician and Musical-Instrument Maker""; ""3 Singing Savants: Music for the Volk""; ""4 The Organic versus the Mechanical""; ""5 Wilhelm Weber, Reed Pipes, and Adiabatic Phenomena""; ""6 The Fetish of Precision I: Scheibler�s Tonometer and Tuning Technique""; ""7 The Fetish of Precision II: Standardizing Music""; ""8 Physics, Machines, and Musical Pedagogy""; ""Appendix""; ""Notes""; ""Glossary""; ""References""; ""Index""
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|a English.
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|a Jackson, Myles W.
|t Harmonious triads.
|d Cambridge, Mass. : MIT Press, ©2006
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