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|a Harbord, Janet.
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|a Film cultures /
|c Janet. Harbord.
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|a London ;
|a Thousand Oaks :
|b Sage Publications,
|c 2002.
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|a 1 online resource (182 pages)
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|a Includes bibliographical references and index.
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|a Cover; Contents; Acknowledgements; Introduction; Chapter 1 -- Breaking with the aura? Film as object or experience; Chapter 2 -- Spatial effects: film cultures and sites of exhibition; Chapter 3 -- Film festivals: media events and spaces of flow; Chapter 4 -- Marketing film and audiences; Chapter 5 -- Postmodern praxes: production on the national and global stage; Chapter 6 -- Aesthetic encounters; Chapter 7 -- Digitalization and its discontents; References; Index.
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|a Film Cultures argues that our tastes for film connect us to social, spatial and temporal networks of exchange and meaning. Whether we view film in the multiplex, arthouse or the gallery, as cinema premiere, video hire or from a cable channel, whether we approach film as a singular object or a hypertext linked to ancillary products, our relationship to film is inhabiting a culture.
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|3 Use copy
|f Restrictions unspecified
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|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
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|a digitized
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|a Print version record.
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|a English.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a Motion pictures.
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|a Cinéma.
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|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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|a Motion pictures
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|a Kulturtheorie
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|a Film
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|a Filmkunst.
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|i has work:
|a Film cultures (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFGwJpyVpBVTGkXkffJ8kC
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|t Film cultures.
|d London ; Thousand Oaks : Sage Publications, 2002
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