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|a American film noir cinema films
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|a Krutnik, Frank,
|d 1956-
|1 https://id.oclc.org/worldcat/entity/E39PCjvvwMfHTxJfd9rq9xMMKb
|
245 |
1 |
0 |
|a In a lonely street :
|b film noir, genre, masculinity /
|c Frank Krutnik.
|
260 |
|
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|a London ;
|a New York :
|b Routledge,
|c 1991.
|
300 |
|
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|a 1 online resource (xiv, 268 pages)
|
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|a text
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|
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|a Includes bibliographical references (pages 227-259) and index.
|
588 |
0 |
|
|a Print version record.
|
506 |
|
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|3 Use copy
|f Restrictions unspecified
|5 MiAaHDL
|2 star
|
533 |
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
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|h HathiTrust Digital Library
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|
505 |
0 |
|
|a pt. 1. Classical Hollywood, genre, and film noir. Classical Hollywood : film and genre -- Genre and the problem of film noir.
|
505 |
0 |
|
|a pt. 2. Film noir : sources and determinants. Hard-boiled crime fiction and film noir -- Film noir and the popularization of psychoanalysis -- Film noir and America in the 1940s.
|
505 |
0 |
|
|a pt. 3. The representation of masculinity in the noir 'tough' thriller. Masculinity and its discontents -- The 'tough' investigative thriller -- The 'tough' suspense thriller -- The criminal-adventure thriller -- A problem in 'algebra' : Dead reckoning and the regimentation of the masculine.
|
520 |
|
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|a Discussing the diversity and cultural significance of Film Noir, Krutnik examines films such as The Maltese Falcon, Double Indemnity and analyses the `tough' thriller in terms of its role in reaffirming a disrupted masculine order.
|
546 |
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|a English.
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|b Ebook Central Academic Complete
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650 |
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|a Film noir
|z United States
|x History and criticism.
|
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|
0 |
|a Popular culture
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650 |
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6 |
|a Films noirs
|z États-Unis
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|z États-Unis.
|
650 |
|
6 |
|a Culture populaire
|z États-Unis.
|
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|a Films noirs
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|
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|
7 |
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|
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|
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|
650 |
|
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|
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|
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|
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|
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|
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|
7 |
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|
650 |
1 |
7 |
|a Film noir.
|2 gtt
|
650 |
1 |
7 |
|a Mannelijkheid.
|2 gtt
|
650 |
1 |
7 |
|a Beeldvorming.
|2 gtt
|
650 |
|
7 |
|a Film noir
|z United States
|x History and criticism.
|2 nli
|
650 |
|
7 |
|a Popular culture
|z United States.
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|
648 |
|
7 |
|a Geschichte 1940-1950
|2 swd
|
653 |
|
|
|a Cinema films
|
653 |
|
|
|a United States
|
653 |
0 |
|
|a Cinema
|a Films (Motion pictures)
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653 |
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|a United States
|
655 |
|
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|a Electronic books.
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
655 |
|
7 |
|a Film noir.
|2 lcgft
|
655 |
|
7 |
|a Films noirs.
|2 rvmgf
|
758 |
|
|
|i has work:
|a In a lonely street: film noir, genre and masculinity (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGxxy3w6FHg7JJhxM7jjYP
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
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|i Print version:
|a Krutnik, Frank, 1956-
|t In a lonely street.
|d London ; New York : Routledge, 1991
|w (DLC) 90023774
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856 |
4 |
0 |
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