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Musical representations, subjects, and objects : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /
A provactive application of Foucault's ideas to music theory.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington :
Indiana University Press,
©2004.
|
| Colección: | Musical meaning and interpretation.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Moreno, Jairo, |d 1963- |1 https://id.oclc.org/worldcat/entity/E39PCjFDVJJTF66vrMFVP4xkpd | |
| 245 | 1 | 0 | |a Musical representations, subjects, and objects : |b the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / |c Jairo Moreno. |
| 260 | |a Bloomington : |b Indiana University Press, |c ©2004. | ||
| 300 | |a 1 online resource (viii, 236 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Musical meaning and interpretation | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Zarlino: instituting knowledge in the time of correspondences -- The representation of order: perception and the early modern subject in Descartes's Compendium musicae -- The complicity of the imagination: representation, subject, and system in Rameau -- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a A provactive application of Foucault's ideas to music theory. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Music |x Semiotics. | |
| 650 | 0 | |a Music theory |x History. | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 6 | |a Sémiotique et musique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Appreciation. |2 bisacsh | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 650 | 7 | |a Music |x Semiotics |2 fast | |
| 650 | 7 | |a Music theory |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Musical representations, subjects, and objects (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH7MVkktRvxC94Tkpr6pCP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Moreno, Jairo, 1963- |t Musical representations, subjects, and objects. |d Bloomington : Indiana University Press, ©2004 |z 0253344573 |w (DLC) 2004007629 |w (OCoLC)54906944 |
| 830 | 0 | |a Musical meaning and interpretation. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=255648 |z Texto completo |
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