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|a UAMI
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| 100 |
1 |
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|a Rojcewicz, Richard.
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| 245 |
1 |
4 |
|a The gods and technology :
|b a reading of Heidegger /
|c Richard Rojcewicz.
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| 260 |
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|a Albany :
|b State University of New York Press,
|c ©2006.
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| 300 |
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|a 1 online resource (viii, 248 pages)
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| 336 |
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|a text
|b txt
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|2 rdamedia
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|a online resource
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1 |
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|a SUNY series in theology and continental thought
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| 504 |
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|a Includes bibliographical references (pages 239-240) and index.
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| 588 |
0 |
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|a Print version record.
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| 505 |
0 |
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|a The Gods and Technology; Contents; Preface; Introduction; I. Ancient Technology; The four causes as obligations, as making ready the ground; The so-called efficient cause in Aristotle; Letting, active letting, letting all the way to the end; Producing, bringing-forth, nature; Manufacture and contemplation; Disclosive looking; Technology and truth; The Greek concept of techne; Ancient technological practice as poiesis; 2. Modern Technology; Ancient versus modern technology; Modern technology as a challenging: The gear and thecapacitor; Modern technology as an imposition.
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| 505 |
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|a Modern technology as a ravishmentModern technology as a disposing; "Disposables"; Ge-stell, the "all-encompassing imposition"; The essence of modern technology as nothing technological; Science as harbinger; Causality; modern physics; The novelty of modern technology; 3. The Danger in Modern Technology; Asking about and asking for; Sent destiny, history, chronology; Freedom; Hastening; Doom; The danger; The highest danger; The occultation of poiesis; That which might save; The sense of essence; Enduring; Bestowal; The essence as something bestowed; Bestowal as what might save; The mystery.
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| 505 |
8 |
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|a The constellationTransition to the question of art; 4. Art; (Metaphysical) aesthetics versus (ontological)philosophy of art; Art as most properly poetry; Art and the history of Being; Art and technology; Questioning; 5. Detachment; Contemplation; Detachment (Gelassenheit); Openness to the mystery, autochthony, lasting human works; Conclusion: phenomenology, improvisation on the piety in art; Notes; Cited Works of Heidegger; Bibliography of Major Secondary Studies ; Index; A; B; C; D; E; F; G; H; I; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z.
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| 546 |
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|a English.
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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| 600 |
1 |
0 |
|a Heidegger, Martin,
|d 1889-1976.
|
| 600 |
1 |
7 |
|a Heidegger, Martin,
|d 1889-1976
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJjRW3dxPxfBP4Mgt9Tfv3
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| 650 |
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|a Technology
|x Philosophy.
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| 650 |
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6 |
|a Technologie
|x Philosophie.
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| 650 |
|
7 |
|a PHILOSOPHY
|x History & Surveys
|x Modern.
|2 bisacsh
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| 650 |
|
7 |
|a Technology
|x Philosophy
|2 fast
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| 758 |
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|i has work:
|a The gods and technology (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFqmvRV6xP9xCMTb6m8xTb
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
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|i Print version:
|a Rojcewicz, Richard.
|t Gods and technology.
|d Albany : State University of New York Press, ©2006
|z 0791466418
|w (DLC) 2005003401
|w (OCoLC)57675955
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|
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|a SUNY series in theology and continental thought.
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