Hitchcock's motifs /
Hitchcock's work through his recurring motifs.
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Amsterdam :
Amsterdam University Press,
2005.
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Colección: | Film culture in transition.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Part I. Hitchcock, Motifs and Melodrama. Introduction
- Three motifs. Home movies
- Cigarette case/lighter
- Milk
- Melodrama and Hitchcock's motifs
- An elaborated motif: the Bed Scene in Rebecca and Marnie
- A melodramatic motif: hands
- Diagrammatic representations
- Overview of the key motifs
- Part II. The Key Motifs. BED SCENE
- Couples and beds
- Beds and the police
- BLONDES AND BRUNETTES
- CAMEO APPEARANCES
- Cameos and the police
- CHILDREN
- Children's cameos
- Family members
- Children and violence
- Children and the police
- CONFINED SPACES
- Bathrooms and washrooms
- Confinement and concealment
- Cages and bars: fears of imprisonment
- Washrooms and the police
- THE CORPSE
- The heroines
- The heroes
- The villains
- Corpses and the police
- DOGS AND CATS
- Dogs and the police
- DOUBLES
- Doubles and the police
- ENDINGS AND THE POLICE
- ENTRY THROUGH A WINDOW
- Entry through a window and the police
- EXHIBITIONISM / VOYEURISM / THE LOOK
- EXHIBITIONISM / VOYEURISM
- SPY FILMS / THE LOOK
- Exhibitionism, voyeurism and the police
- FOOD AND MEALS
- Food and marriage
- Food and sex
- Food and murder
- Food and guilt
- Chickens and eggs
- Table talk and fascism
- Food and the police
- GUILTAND CONFESSION
- Catholic overtones
- Guilt and Hitchcock's villains
- Transference of guilt
- Guilt, confession and the police
- HANDCUFFS AND BONDAGE
- HANDS
- Male hands/female hands
- Held wrists
- Damaged hands
- Holding hands
- Hands and the police
- HEIGHTS AND FALLING
- Heights, falling and the police
- HOMOSEXUALITY
- Critical positions
- Gay undercurrents
- Espionage and the look
- Ivor Novello
- Homosexuality and the police
- JEWELLERY
- Greed
- Status
- Female desire
- Female beauty/male power
- Male murderousness
- Jewellery and the police
- KEYS AND HANDBAGS
- KEYS
- Keys and handbags
- HANDBAGS
- Handbags and keys
- Keys, handbags and the police
- LIGHT(S)
- Vampires and blinding
- Murder and homosexuality
- Lights and the police
- THE MACGUFFIN
- The MacGuffin and the police
- MOTHERS AND HOUSES
- Mothers and the police
- PORTRAITS, PAINTINGS AND PAINTERS
- PORTRAITS
- PAINTINGS
- Modern art
- PAINTERS
- Portraits, paintings and the police
- PUBLIC DISTURBANCES
- Public disturbances and the police
- SPECTACLES
- Spectacles and the police
- STAIRCASES
- Hitchcockian levels
- Political variations
- Sinister staircases
- Freudian overtones
- Couples and staircases
- Staircases and the police
- TRAINS AND BOATS / PLANES AND BUSES
- TRAINS
- BOATS
- PLANES
- BUSES
- Trains and boats and the police
- WATER AND RAIN
- WATER
- RAIN
- Water and the police
- Appendix I: TV Episodes. BED SCENE
- CHILDREN
- CONFINED SPACES
- THE CORPSE
- DOUBLES
- FOOD AND MURDER / ENDINGS AND THE POLICE
- LIGHTS
- BOATS
- Appendix II: Articles on Hitchcock's motifs
- Appendix III: Definitions. Diegesis
- Point-of-view editing.