The violent woman : femininity, narrative, and violence in contemporary American cinema /

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"In The Violent Woman, Hilary Neroni brings psychoanalytically informed film theory to bear on issues of femininity, violence, and narrative in contemporary American cinema. Examining such films as Thelma and Louise, Fargo, Natural Born Killers, and The Long Kiss Goodnight, Neroni explores why...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Neroni, Hilary, 1969-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Albany : State University of New York Press, ©2005.
Colección:SUNY series in feminist criticism and theory.
Temas:
Women in motion pictures.
Violence in motion pictures.
Motion pictures > United States.
Femmes au cinéma.
Violence au cinéma.
Cinéma > États-Unis.
PERFORMING ARTS > Film & Video > Reference.
Motion pictures
Violence in motion pictures
Women in motion pictures
Gewalt > Motiv
Frau > Motiv
Film
United States
USA
Acceso en línea:Texto completo

MARC

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100 1 |a Neroni, Hilary,  |d 1969-  |1 https://id.oclc.org/worldcat/entity/E39PCjwqhfQd3qcbBdgXkqxwbq 
245 1 4 |a The violent woman :  |b femininity, narrative, and violence in contemporary American cinema /  |c Hilary Neroni. 
260 |a Albany :  |b State University of New York Press,  |c ©2005. 
300 |a 1 online resource (xiv, 203 pages) 
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490 1 |a SUNY series in feminist criticism and theory 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Complementarity and its discontents : an overview of violent women in American film -- Expressions of masculinity : the traditions of violence in American film -- Female murderers : America's recurring nightmare -- Romancing trauma : the violent woman in contemporary American film -- Violent women of love -- Femininity on the front line : portrayals of violent women in recent military films -- Conclusion : The Long kiss goodnight. 
520 1 |a "In The Violent Woman, Hilary Neroni brings psychoanalytically informed film theory to bear on issues of femininity, violence, and narrative in contemporary American cinema. Examining such films as Thelma and Louise, Fargo, Natural Born Killers, and The Long Kiss Goodnight, Neroni explores why American audiences are so fascinated - even excited - by cinematic representations of violent women, and what these representations reveal about violence in our society and our cinema. Neroni argues that violent women characters disrupt cinematic narrative and challenge cultural ideals, suggesting how difficult it is for Hollywood - the greatest of ideology machines - to integrate the violent woman into its typical narrative structure."--Jacket 
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650 0 |a Violence in motion pictures. 
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650 6 |a Violence au cinéma. 
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