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Cognitive foundations of musical pitch /
This book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally importa...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Oxford University Press,
2001.
|
| Colección: | Oxford psychology series ;
no. 17. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Krumhansl, Carol L. | |
| 245 | 1 | 0 | |a Cognitive foundations of musical pitch / |c Carol L. Krumhansl. |
| 260 | |a New York : |b Oxford University Press, |c 2001. | ||
| 300 | |a 1 online resource (x, 307 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Oxford psychology series ; |v no. 17 | |
| 500 | |a "First published in 1990 by Oxford University Press, Inc." | ||
| 504 | |a Includes bibliographical references (pages 289-299) and indexes. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a 1. OBJECTIVES AND METHODS; The approach of cognitive psychology; The plan of the research; Outline of the following chapters; 2. QUANTIFYING TONAL HIERARCHIES AND KEY DISTANCES; The tonal hierarchy; The first probe tone study: individual differences with a major-key context; Replication and extension to minor-key contexts; A derived measure of interkey distance; A spatial representation of interkey distance; Theoretical maps of key relationships; 3. MUSICAL CORRELATES OF PERCEIVED TONAL HIERARCHIES; Tonal consonance; Tonal consonance and tonal hierarchies | |
| 505 | 8 | |a Statistical analyses of tonal compositions Tonal distributions and tonal hierarchies; Tonal hierarchies, tonal consonance, and tonal distributions; 4. A KEY-FINDING ALGORITHM BASED ON TONAL HIERARCHIES; The key-finding algorithm; Application I: initial segments of preludes of J.S. Bach, Shostakovich, and Chopin; Application II: fugue subjects of J.S. Bach and Shostakovich; Application III: J.S. Bach's C Minor Prelude, Book II; Limitations and possible extensions of the algorithm; 5. PERCEIVED RELATIONS BETWEEN MUSICAL TONES; Geometric representations of musical pitch | |
| 505 | 8 | |a Limitations of geometric models Experimental measures of tonal relations; Correlations with tonal consonance and tonal distributions; 6. PERCEPTUAL ORGANIZATION AND PITCH MEMORY; Gestalt theory; Three principles of tonal stability; Perceptual organization in music: Segmentation and melodic similarity; 7. QUANTIFYING HARMONIC HIERARCHIES AND KEY DISTANCES; Music-theoretical descriptions of harmony; Quantifying the harmonic hierarchy; Harmonic hierarchy of diatonic triads I-VII; Deriving key distances from harmonic hierarchies; 8. PERCEIVED HARMONIC RELATIONS | |
| 505 | 8 | |a Perceived harmonic relations and key structure Perceived harmonic relations of diatonic triads I-VII; Key context effects on perceived harmonic relations; Key structure and memory for chord sequences; Key context effects on memory for chord sequences; Relational effects on memory for chord sequences; Parallels between perceived tonal and harmonic structures; 9. PERCEIVING MULTIPLE KEYS: MODULATION AND POLYTONALITY; Tracing the developing and changing sense of key; Tonal hierarchies and polytonality; 10. TONAL HIERARCHIES IN ATONAL AND NON-WESTERN TONAL MUSIC | |
| 505 | 8 | |a Tonal hierarchies in 12-tone serial music Tonal hierarchies in North Indian music; Tonal hierarchies in Balinese music; Tonal hierarchies: some generalizations; 11. MUSIC COGNITION: THEORETICAL AND EMPIRICAL GENERALIZATIONS; Properties of the diatonic-harmonic system; Properties of pentatonic, octatonic, and North Indian scales; Properties emerging from the empirical studies; References; Author index; Subject index | |
| 520 | |a This book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally important, the work offers an analysis of the relationship between the psychological organization of music and its internal structure. Combining over a decade of original research on music cognition with an overview of the available literature, the work will be of interest to cognitive and physiological psychol. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Music |x Psychological aspects. | |
| 650 | 0 | |a Musical pitch. | |
| 650 | 0 | |a Cognitive psychology. | |
| 650 | 6 | |a Musique |x Aspect psychologique. | |
| 650 | 6 | |a Diapason. | |
| 650 | 6 | |a Psychologie cognitive. | |
| 650 | 7 | |a pitch (acoustics concept) |2 aat | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Appreciation. |2 bisacsh | |
| 650 | 7 | |a Cognitive psychology |2 fast | |
| 650 | 7 | |a Music |x Psychological aspects |2 fast | |
| 650 | 7 | |a Musical pitch |2 fast | |
| 758 | |i has work: |a Cognitive foundations of musical pitch (Text) |1 https://id.oclc.org/worldcat/entity/E39PD3x8H7pftkMqtV43BfxX7d |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Krumhansl, Carol L. |t Cognitive foundations of musical pitch. |d New York : Oxford University Press, 2001 |z 0195148363 |w (OCoLC)48851834 |
| 830 | 0 | |a Oxford psychology series ; |v no. 17. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=241373 |z Texto completo |
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