The new woman in early twentieth-century Chinese fiction /
"In The New Woman in Early Twentieth-Century Chinese Fiction, Jin Feng proposes that representation of the "new woman" in Communist Chinese fiction of the earlier twentieth century was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim...
Clasificación: | Libro Electrónico |
---|---|
Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
West Lafayette, Indiana :
Purdue University Press,
[2004]
|
Colección: | Comparative cultural studies.
|
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Text and Context of the New Woman
- The Intellectual Self in Crisis
- The Emergence of the New Woman in Print Culture
- Footloose Woman as Topoi in vernacular Fiction
- Books and Mirrors: Lu Xun and the Girl Student
- The Performativity of Male Emotions
- Regret for the Past
- From Girl Student to Proletarian Woman: Yu Dafu?s Victimized Hero and His Female Other
- The Disenfranchised Hero in Sinking
- Venture into "Revolutionary Literature": "Intoxicating Spring Nights"
- En/gendering the Bildungsroman of the Radical Male: Ba Jin's Girl Students and Women Revolutionaries
- The New Woman to Facilitate Male Growth
- Ba Jin's Instrumental Girl Student in Family
- The Woman Revolutionary in Love Trilogy
- The Temptation and Salvation of the Male Intellectual: Mao Dun's Women Revolutionaries
- Miss Jing and Miss Hui: The Paradox of Tradition and Modernity in Eclipse
- From Wild Roses to Rainbow
- "Sentimental Autobiographies": Feng Yuanjun, Lu Yin and the New Woman
- Feng Yuanjun and the "Autobiography" of Emotions
- Lu Yin and Her Self-Corrections
- The Bold Modern Girl: Ding Ling's Early Fiction
- Ding Ling and the New Woman
- Diary of a Lonely Urban Dweller: "Miss Sophia's Diary"
- The Woman Writer in "Yecao"
- The Revolutionary Age: Ding Ling's Fiction of the Early 1930s
- "Sophia's Diary (II)"
- "From Night to Dawn"
- "Tianjia village."