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Musical symbolism in the operas of Debussy and Bartók : trauma, gender, and the unfolding of the unconscious /
The authors explore the means by which two early 20th-century operas - Debussy's 'Pelléas et Mélisande' (1902) and Bartók's 'Duke Bluebeard's Castle' (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical lang...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford ; New York :
Oxford University Press,
2004.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Antokoletz, Elliott. | |
| 245 | 1 | 0 | |a Musical symbolism in the operas of Debussy and Bartók : |b trauma, gender, and the unfolding of the unconscious / |c Elliott Antokoletz with the collaboration of Juana Canabal Antokoletz. |
| 260 | |a Oxford ; |a New York : |b Oxford University Press, |c 2004. | ||
| 300 | |a 1 online resource (xiv, 346 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references (pages 331-340) and index. | ||
| 520 | 8 | |a The authors explore the means by which two early 20th-century operas - Debussy's 'Pelléas et Mélisande' (1902) and Bartók's 'Duke Bluebeard's Castle' (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 546 | |a English. | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 505 | 0 | |a Backgrounds and development: the new musical language and its correspondence with psycho-dramatic principles of symbolist opera -- The new musical language -- Trauma, gender, and the unfolding of the unconscious -- 'Pelléas et Mélisande': Polarity of characterizations: human beings as real-life individuals and instruments of fate -- 'Pelléas et Mélisande': Fate and the unconscious: transformational function of the dominant ninth chord; symbolism of sonority -- 'Pelléas et Mélisande': Musico-dramatic turning point: intervallic expansion as symbol of dramatic tension and change of mood -- 'Pelléas et Mélisande': Mélisande as Christ symbol- life, death, and resurrection- and motivic reinterpretations of the whole-tone dyad -- 'Pelléas et Mélisande': Circuity of fate and resolution of Mélisande's dissonant pentatonic- whole-tone conflict -- 'Duke Bluebeard's Castle': Psychological motivation: symbolic interaction of diatonic, whole-tone, and chromatic extremes -- 'Duke Bluebeard's Castle': Toward character reversal: reassignment of pentatonic and whole-tone spheres -- 'Duke Bluebeard's Castle': The Nietzschean condition and polarity of characterizations: diatonic-chromatic extremes -- 'Duke Bluebeard's Castle': Final transformation and retreat into eternal darkness: synthesis of pentatonic/ diatonic and whole-tone spheres -- Symbolism and expressionism in other early Twentieth-century operas. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Debussy, Claude, |d 1862-1918. |t Pelléas et Mélisande. |
| 600 | 1 | 0 | |a Bartók, Béla, |d 1881-1945. |t Kékszakállú herceg vára. |
| 600 | 1 | 6 | |a Debussy, Claude, |d 1862-1918. |t Pelléas et Mélisande. |
| 600 | 1 | 6 | |a Bartók, Béla, |d 1881-1945. |t Château de Barbe-Bleue. |
| 630 | 0 | 7 | |a Kékszakállú herceg vára (Bartók, Béla) |2 fast |
| 630 | 0 | 7 | |a Pelléas et Mélisande (Debussy, Claude) |2 fast |
| 650 | 0 | |a Symbolism in music. | |
| 650 | 6 | |a Symbolisme dans la musique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Opera. |2 bisacsh | |
| 650 | 7 | |a Symbolism in music |2 fast | |
| 650 | 1 | 7 | |a Opera's. |2 gtt |
| 650 | 1 | 7 | |a Symbolisme. |2 gtt |
| 700 | 1 | |a Antokoletz, Juana Canabal. | |
| 758 | |i has work: |a Musical symbolism in the operas of Debussy and Bartok (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFWBvBYFP9DdkrDh3HDyVC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Antokoletz, Elliott. |t Musical symbolism in the operas of Debussy and Bartók. |d Oxford ; New York : Oxford University Press, 2004 |z 0195103831 |w (DLC) 2003006592 |w (OCoLC)51900211 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3051978 |z Texto completo |
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