Cargando…
Repeating ourselves : American minimal music as cultural practice /
Where did musical minimalism come from--and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ours...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
©2005.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocm61730530 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 050929s2005 caua ob s001 0 eng d | ||
| 040 | |a N$T |b eng |e pn |c N$T |d IUL |d OCLCQ |d OCLCG |d OCLCQ |d N$T |d TUU |d OCLCQ |d OCLCO |d OCLCQ |d JSTOR |d OCLCF |d P@U |d COO |d OCLCQ |d NLGGC |d OCLCQ |d DKDLA |d ADU |d E7B |d YDXCP |d OCLCQ |d EBLCP |d IDEBK |d MHW |d DEBSZ |d CUS |d OCLCQ |d LOA |d JBG |d AZK |d OCLCQ |d COCUF |d TOA |d CNNOR |d MOR |d PIFBR |d ZCU |d OCLCQ |d MERUC |d OCLCQ |d IOG |d WY@ |d U3W |d EZ9 |d LUE |d BRL |d STF |d WRM |d VTS |d NRAMU |d AGLDB |d ICG |d VT2 |d OCLCQ |d WYU |d LVT |d A6Q |d DKC |d OCLCQ |d M8D |d DEGRU |d OCLCQ |d KCP |d OCLCQ |d INARC |d EQF |d VLY |d OCLCO |d UKCRE |d S2H |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 191037788 |a 191946785 |a 474137113 |a 475950407 |a 614990746 |a 646737905 |a 722388272 |a 816342911 |a 888793600 |a 960204728 |a 961503599 |a 962704807 |a 988481323 |a 992088629 |a 992105281 |a 1037458267 |a 1037797056 |a 1038641476 |a 1045491645 |a 1055396252 |a 1076306164 |a 1081260806 |a 1126027806 |a 1151152973 |a 1153037947 |a 1162555473 |a 1288251969 |a 1298206674 |a 1298713338 | ||
| 020 | |a 9780520938946 |q (electronic bk.) | ||
| 020 | |a 0520938941 |q (electronic bk.) | ||
| 020 | |a 1423727584 |q (electronic bk.) | ||
| 020 | |a 9781423727583 |q (electronic bk.) | ||
| 020 | |a 9780520240360 |q (cloth ; |q alk. paper) | ||
| 020 | |a 0520240367 |q (cloth ; |q alk. paper) | ||
| 020 | |a 9780520245501 |q (pbk. ; |q alk. paper) | ||
| 020 | |a 0520245504 |q (pbk. ; |q alk. paper) | ||
| 020 | |a 1598757857 | ||
| 020 | |a 9781598757859 | ||
| 020 | |a 1282358170 | ||
| 020 | |a 9781282358171 | ||
| 020 | |a 9786612358173 | ||
| 020 | |a 6612358173 | ||
| 029 | 1 | |a AU@ |b 000048564873 | |
| 029 | 1 | |a AU@ |b 000048780710 | |
| 029 | 1 | |a AU@ |b 000051408116 | |
| 029 | 1 | |a AU@ |b 000053248210 | |
| 029 | 1 | |a AU@ |b 000054159444 | |
| 029 | 1 | |a DEBBG |b BV043115279 | |
| 029 | 1 | |a DEBBG |b BV044081356 | |
| 029 | 1 | |a DEBSZ |b 422305030 | |
| 029 | 1 | |a DEBSZ |b 430305818 | |
| 029 | 1 | |a GBVCP |b 100357226X | |
| 029 | 1 | |a GBVCP |b 801342430 | |
| 029 | 1 | |a NZ1 |b 14235692 | |
| 029 | 1 | |a NZ1 |b 16046592 | |
| 035 | |a (OCoLC)61730530 |z (OCoLC)191037788 |z (OCoLC)191946785 |z (OCoLC)474137113 |z (OCoLC)475950407 |z (OCoLC)614990746 |z (OCoLC)646737905 |z (OCoLC)722388272 |z (OCoLC)816342911 |z (OCoLC)888793600 |z (OCoLC)960204728 |z (OCoLC)961503599 |z (OCoLC)962704807 |z (OCoLC)988481323 |z (OCoLC)992088629 |z (OCoLC)992105281 |z (OCoLC)1037458267 |z (OCoLC)1037797056 |z (OCoLC)1038641476 |z (OCoLC)1045491645 |z (OCoLC)1055396252 |z (OCoLC)1076306164 |z (OCoLC)1081260806 |z (OCoLC)1126027806 |z (OCoLC)1151152973 |z (OCoLC)1153037947 |z (OCoLC)1162555473 |z (OCoLC)1288251969 |z (OCoLC)1298206674 |z (OCoLC)1298713338 | ||
| 037 | |a 22573/cttt2rnk |b JSTOR | ||
| 050 | 4 | |a ML197 |b .F54 2005eb | |
| 072 | 7 | |a MUS |x 007000 |2 bisacsh | |
| 072 | 7 | |a MUS000000 |2 bisacsh | |
| 072 | 7 | |a AVJP, GTSC |2 bicssc | |
| 082 | 0 | 4 | |a 781.3 |2 22 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Fink, Robert Wallace, |d 1961- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJw4Dw3YTmB4bRvRVm9Yyd | |
| 245 | 1 | 0 | |a Repeating ourselves : |b American minimal music as cultural practice / |c Robert Fink. |
| 260 | |a Berkeley : |b University of California Press, |c ©2005. | ||
| 300 | |a 1 online resource (xvi, 280 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a The culture of eros : repetition as desire creation -- Do it ('til you're satisfied) : repetitive musics and recombinant desires -- "A colorful installment in the twentieth-century drama of consumer subjectivity" : minimalism and the phenomenology of consumer desire -- The media sublime : minimalism, advertising, and television -- The culture of Thanatos : repetition as mood regulation -- "A pox on Manfredini" : the long-playing record, the baroque revival, and the birth of ambient music -- "I did this exercise 100,000 times" : zen, minimalism, and the Suzuki method. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Where did musical minimalism come from--and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ourselves considers the cultural significance of American repetitive music exemplified by composers such as Terry Riley, Steve Reich, and Philip Glass. Fink juxtaposes repetitive minimal music with 1970s disco; assesses it in relation to the selling structure of mass-media advertising campaigns; traces it back to the innovations in hi-fi technology that turned baroque concertos into ambient "easy listening"; and appraises its meditative kinship to the spiritual path of musical mastery offered by Japan's Suzuki Method of Talent Education | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Minimal music |x History and criticism. | |
| 650 | 0 | |a Music |x Social aspects. | |
| 650 | 6 | |a Musique répétitive |x Histoire et critique. | |
| 650 | 6 | |a Musique |x Aspect social. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Composition. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x General. |2 bisacsh | |
| 650 | 7 | |a Minimal music |2 fast | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Repeating ourselves (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGdx4KqqTXxgMMxj4qGDVP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Fink, Robert Wallace, 1961- |t Repeating ourselves. |d Berkeley : University of California Press, ©2005 |z 0520240367 |z 0520245504 |w (DLC) 2005006616 |w (OCoLC)58451755 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=239229 |z Texto completo |
| 938 | |a De Gruyter |b DEGR |n 9780520938946 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL239229 | ||
| 938 | |a ebrary |b EBRY |n ebr10088445 | ||
| 938 | |a EBSCOhost |b EBSC |n 140644 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n 235817 | ||
| 938 | |a Internet Archive |b INAR |n repeatingourselv0054fink | ||
| 938 | |a Project MUSE |b MUSE |n muse30986 | ||
| 938 | |a YBP Library Services |b YANK |n 2363741 | ||
| 938 | |a YBP Library Services |b YANK |n 2627922 | ||
| 938 | |a YBP Library Services |b YANK |n 2770989 | ||
| 994 | |a 92 |b IZTAP | ||