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|a Berger, Martin A.
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|a Sight unseen :
|b whiteness and American visual culture /
|c Martin A. Berger.
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|a Berkeley :
|b University of California Press,
|c ©2005.
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|a 1 online resource (xiv, 236 pages) :
|b illustrations, maps
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|a text
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|2 rdacontent
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|a computer
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|a data file
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|a Includes bibliographical references (pages 207-225) and index.
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|a List of illustrations -- Acknowledgments -- Introduction: white like me -- Genre painting and the foundations of modern race -- Landscape photography and the white gaze -- Museum architecture and the imperialism of whiteness -- Silent cinema and the gradations of whiteness -- Epilogue: the triumph of racialized thought -- Notes -- Bibliography -- Index.
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|a Print version record.
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|a Sight Unseen explores how racial identity guides the interpretation of the visual world. Through a nimble analysis of late-nineteenth- and early-twentieth-century paintings, photographs, museums, and early motion pictures, Martin A. Berger illustrates how a shared investment in whiteness invisibly guides what European Americans see, what they accept as true, and, ultimately, what legal, social, and economic policies they enact.
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|a ProQuest Ebook Central
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|a Umschulungswerkstätten für Siedler und Auswanderer
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|a Race awareness in art.
|
650 |
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|a Art and race.
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650 |
|
0 |
|a White people
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|z United States.
|
650 |
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|a Arts, American
|y 19th century.
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650 |
|
6 |
|a Conscience de race dans l'art.
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|a Art et race.
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|
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|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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|i has work:
|a Sight unseen (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGjPRQ4MdgH4RCTHhMfDYK
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Berger, Martin A.
|t Sight unseen.
|d Berkeley : University of California Press, ©2005
|z 0520244591
|w (DLC) 2005008042
|w (OCoLC)58791195
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=239227
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