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Opera and drama in eighteenth-century London : the King's Theatre, Garrick and the business of performance /
In this study, Ian Woodfield explores the cultural and commercial life of Italian opera in late eighteenth-century London. It was a period when theatre and opera worlds mixed, venues were shared, and agents and managers collaborated and competed. Through primary sources, many analysed for the first...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
©2001.
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| Colección: | Cambridge studies in opera.
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| Temas: | |
| Acceso en línea: | Texto completo |
| Sumario: | In this study, Ian Woodfield explores the cultural and commercial life of Italian opera in late eighteenth-century London. It was a period when theatre and opera worlds mixed, venues were shared, and agents and managers collaborated and competed. Through primary sources, many analysed for the first time, Woodfield examines such issues as finances, recruitment policy, the handling of singers and composers, links with Paris and Italy, and the role of women in opera management. These key topics are also placed within the context of a personal dispute between two of the most important managers of the day, the woman writer Frances Brooke and the actor David Garrick, which influenced the running of the major venues, the King's Theatre, Drury Lane and Covent Garden. Woodfield has also uncovered new information concerning the influential role of the eighteenth-century music historian and critic Charles Burney, as artistic advisor to the King's Theatre.--Publisher description. |
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| Descripción Física: | 1 online resource (xii, 339 pages) : illustrations |
| Bibliografía: | Includes bibliographical references (pages 295-330) and index. |
| ISBN: | 9780511481758 0511481756 0511015984 9780511015984 9780511047398 0511047398 0511156030 9780511156038 |