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This wounded cinema, this wounded life : violence and utopia in the films of Sam Peckinpah /

Film scholarship has largely failed to address the complex and paradoxical nature of the films of Sam Peckinpah, focusing primarily on the violence of movies such as The Wild Bunch and Straw Dogs while ignoring the poetry and gentility of lesser-known pictures including The Ballad of Cable Hogue and...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Murray, Gabrielle
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Westport, Conn. : Praeger, 2004.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a This wounded cinema, this wounded life :  |b violence and utopia in the films of Sam Peckinpah /  |c Gabrielle Murray. 
260 |a Westport, Conn. :  |b Praeger,  |c 2004. 
300 |a 1 online resource (159 pages) 
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504 |a Includes filmography: page 131. 
504 |a Includes bibliographical references (pages 153-156) and index. 
588 0 |a Print version record. 
505 0 |a Acknowledgments; Introduction; 1 This Wounded Cinema, This Wounded Life; 2 Dead to the World; 3 Deep Play: Rituals of Violence and Enchantment; 4 Persevering in Our Existence; 5 The Savage, or "Let Love In!"; Conclusion; Sam Peckinpah Filmography; Notes; Selected Bibliography; Index. 
520 |a Film scholarship has largely failed to address the complex and paradoxical nature of the films of Sam Peckinpah, focusing primarily on the violence of movies such as The Wild Bunch and Straw Dogs while ignoring the poetry and gentility of lesser-known pictures including The Ballad of Cable Hogue and Junior Bonner. Serving as a necessary corrective, Gabrielle Murray's This Wounded Cinema, This Wounded Life: Violence and Utopia in the Films of Sam Peckinpah offers a better understanding of the work of this landmark director through close readings of both his famous and less-famous works. 
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600 1 0 |a Peckinpah, Sam,  |d 1925-1984  |x Criticism and interpretation. 
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