Tabla de Contenidos:
  • A queer premiere: Jean Cocteau's The Typewriter
  • Collabo Beefcake and resistant reception: ambiguity in André Obey's Eight Hundred Meters and The Suppliant Women
  • French Identity: the intended audience for Jean Giraudoux's The Apollo of Marsac
  • The limits of opportunism: Simone Jollivet's The Princess of Ursins
  • The politics of intention: Jean Anouilh's Antigone via Oreste
  • The politics of reception: Jean-Paul Sartre's The Flies
  • A politics of sexuality: Henry de Montherlant's Nobody's Son
  • The politics of impersonation: Casting and recasting Paul Claudel's The Satin Slipper
  • Catching The Last Mʹetro: Francois Truffaut's Portrayal of Occupation Drama and Sexuality.