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Genre, myth, and convention in the French cinema, 1929-1939 /
Genre, Myth, and Convention in the French Cinema, 1929--1939 examines classic French film, exploring and analyzing the cinema as an institution, the textual system to which it gave rise, and the light that such an approach can shed on the process of production and reception of specific films. Colin...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington :
Indiana University Press,
©2002.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Crisp, C. G. | |
| 245 | 1 | 0 | |a Genre, myth, and convention in the French cinema, 1929-1939 / |c Colin Crisp. |
| 260 | |a Bloomington : |b Indiana University Press, |c ©2002. | ||
| 300 | |a 1 online resource (xxvi, 460 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Filmography: pages 380-420. | ||
| 504 | |a Includes bibliographical references (pages 431-433) and indexes. | ||
| 520 | |a Genre, Myth, and Convention in the French Cinema, 1929--1939 examines classic French film, exploring and analyzing the cinema as an institution, the textual system to which it gave rise, and the light that such an approach can shed on the process of production and reception of specific films. Colin Crisp identifies recurrent patterns in the fields of character, narrative, and setting in the French cinema of the early sound period and delineates the myths that these patterns embodied. In Part One he discusses the 1,300 films produced by the French cinema in the 1930s, treating them as a single. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Acknowledgments; Introduction; ONE Identity: Reflecting on the Self; TWO Nation and Race: French and Not-French" Stereotypes and Myths; THREE Class: Authority, Oppression, and the Dream of Escape; FOUR Gender and the Family: The Formation and Dissolution of the Couple; FIVE Education, the Media, and the Law: The Training of a Citizen; SIX Art and Transcendence: Spirituality and Reflexivity; SEVEN Cinematic Genres in France: A grotesque maskŽ or the genius of the systemŽ?; EIGHT The Stars in Their (Dis)courses: Anemic dreamsŽ and poetry for pallid peopleŽ? | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
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| 650 | 0 | |a Motion pictures |z France |x History. | |
| 650 | 0 | |a Film genres |z France. | |
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| 776 | 0 | 8 | |i Print version: |a Crisp, C.G. |t Genre, myth, and convention in the French cinema, 1929-1939. |d Bloomington : Indiana University Press, ©2002 |z 0253215161 |w (DLC) 2002001184 |w (OCoLC)51260415 |
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