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The world of perception /

Annotation

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Merleau-Ponty, Maurice, 1908-1961
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: London ; New York : Routledge, 2004.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Merleau-Ponty, Maurice,  |d 1908-1961.  |1 https://id.oclc.org/worldcat/entity/E39PBJtRKFg8vhf6c3jc97xxDq 
240 1 0 |a Causeries 1948.  |l English 
245 1 4 |a The world of perception /  |c Maurice Merleau-Ponty ; translated by Oliver Davis. 
260 |a London ;  |a New York :  |b Routledge,  |c 2004. 
300 |a 1 online resource (1 volume) 
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504 |a Includes bibliographical references. 
505 0 |a The world of perception and the world of science -- Exploring the world of perception: space -- Exploring the world of perception: sensory objects -- Exploring the world of perception: animal life -- Man seen from the outside -- Art and the world of perception -- Classical world, modern world. 
546 |a Translated from the French. 
588 0 |a Print version record. 
520 8 |a Annotation  |b 'Painting does not imitate the world, but is a world of its own.' In 1948, Maurice Merleau-Ponty wrote and delivered on French radio a series of seven lectures on the theme of perception. Translated here into English for the first time, they offer a lucid and concise insight into one of the great philosophical minds of the twentieth-century. These lectures explore themes central not only to Merleau-Ponty's philosophy but phenomenology as a whole. He begins by rejecting the idea - inherited from Descartes and influential within science - that perception is unreliable and prone to distort the world around us. Merleau-Ponty instead argues that perception is inseparable from our senses and it is how we make sense of the world. Merleau-Ponty explores this guiding theme through a brilliant series of reflections on science, space, our relationships with others, animal life and art. Throughout, he argues that perception is never something learned and then applied to the world. As creatures with embodied minds, he reminds us that we are born perceiving and share with other animals and infants a state of constant, raw, unpredictable contact with the world. He provides vivid examples with the help of Kafka, animal behaviour and above all modern art, particularly the work of Cezanne. A thought-provoking and crystalline exploration of consciousness and the senses, The World of Perception is essential reading for anyone interested in the work of Merleau-Ponty, twentieth-century philosophy and art. 
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650 6 |a Perception (Philosophie) 
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