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The African American male, writing and difference : a polycentric approach to African American literature, criticism, and history /
Annotation
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Albany :
State University of New York Press,
©2003.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Hogue, W. Lawrence, |d 1951- |1 https://id.oclc.org/worldcat/entity/E39PCjJqTypyYcMtcxKct6qgjC | |
| 245 | 1 | 4 | |a The African American male, writing and difference : |b a polycentric approach to African American literature, criticism, and history / |c W. Lawrence Hogue. |
| 260 | |a Albany : |b State University of New York Press, |c ©2003. | ||
| 300 | |a 1 online resource (xiii, 291 pages 23 cm) | ||
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| 504 | |a Includes bibliographical references (pages 273-281) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g Machine generated contents note: |g Ch. 1 |t Introduction: Approaching African American Life, History, Literature, and Criticism Polycentrically -- |g Ch. 2 |t History, the White/Black Binary, and the Construction of the African American as Other -- |g Ch. 3 |t White/Black Binary and the African American Sociopolitical Mission of Racial Uplift -- |g Ch. 4 |t Finding Freedom in Sameness: James Weldon Johnson's The Autobiography of an Ex-Coloured Man -- |g Ch. 5 |t Disrupting the White/Black Binary: William Melvin Kelley's A Different Drummer -- |g Ch. 6 |t Exposing Limiting, Racialized Heterological Critical Sites: An Existential Reading of Charles Wright's The Messenger -- |g Ch. 7 |t Blue Idiom Lifestyle, Counter-Hegemony, and Clarence Major's Dirty Bird Blues -- |g Ch. 8 |t Naming the Subaltern: The Swinging Life and Nathan Heard's Howard Street -- |g Ch. 9 |t Identity Politics, Sexual Fluidity, and James Earl Hardy's B-Boy Blues -- |g Ch. 10 |t Voodoo, A Different African American Experience, and Don Belton's Almost Midnight -- |g Ch. 11 |t Conclusion. |
| 520 | 8 | |a Annotation |b In this wide-ranging analysis, W. Lawrence Hogue argues that African American life and history is more diverse than even African American critics generally acknowledge. Focusing on literary representations of African American males in particular, Hogue examines works by James Weldon Johnson, William Melvin Kelley, Charles Wright, Nathan Heard, Clarence Major, James Earl Hardy, and Don Belton to see how they portray middle-class, Christian, subaltern, voodoo, urban, jazz/blues, postmodern, and gay African American cultures. Hogue shows that this polycentric perspective can move beyond a "racial uplift" approach to African American literature and history and help paint a clearer picture of the rich diversity of African American life and culture | |
| 546 | |a English. | ||
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| 650 | 0 | |a American literature |x African American authors |x History and criticism. | |
| 650 | 0 | |a American literature |x Male authors |x History and criticism. | |
| 650 | 0 | |a African American men |x Intellectual life. | |
| 650 | 0 | |a Difference (Psychology) in literature. | |
| 650 | 0 | |a African American men in literature. | |
| 650 | 6 | |a Hommes noirs américains |x Vie intellectuelle. | |
| 650 | 6 | |a Hommes noirs américains dans la littérature. | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x General. |2 bisacsh | |
| 650 | 7 | |a African American men in literature |2 fast | |
| 650 | 7 | |a African American men |x Intellectual life |2 fast | |
| 650 | 7 | |a American literature |x African American authors |2 fast | |
| 650 | 7 | |a American literature |x Male authors |2 fast | |
| 650 | 7 | |a Difference (Psychology) in literature |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a The African American male, writing and difference (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFwCt6tTYKBy9gRMbqj9Qm |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Hogue, W. Lawrence, 1951- |t African American male, writing and difference. |d Albany : State University of New York Press, ©2003 |z 0791456935 |z 0791456943 |w (DLC) 2002075873 |w (OCoLC)50064867 |
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