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Black women, identity, and cultural theory : (un)becoming the subject /
Kevin Everod Quashie explores the metaphor of the "girlfriend" as a new way of understanding three central concepts of cultural studies: self, memory, and language. He considers how the works of writers such as Toni Morrison, Ama Ata Aidoo, Dionne Brand, photographer Lorna Simpson, and man...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick :
Rutgers University Press,
©2004.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Quashie, Kevin Everod. | |
| 245 | 1 | 0 | |a Black women, identity, and cultural theory : |b (un)becoming the subject / |c Kevin Everod Quashie. |
| 260 | |a New Brunswick : |b Rutgers University Press, |c ©2004. | ||
| 300 | |a 1 online resource (1 volume) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 207-219) and index. | ||
| 505 | 0 | |a Introduction : what becomes -- The other dancer as self : notes on girlfriend selfhood -- Self(full)ness and the politics of community -- Liminality and selfhood : toward being enough -- An indisputable memory of blackness -- The practice of a memory body -- Toward a language aesthetic -- My own, language -- Conclusion : what is undone. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Kevin Everod Quashie explores the metaphor of the "girlfriend" as a new way of understanding three central concepts of cultural studies: self, memory, and language. He considers how the works of writers such as Toni Morrison, Ama Ata Aidoo, Dionne Brand, photographer Lorna Simpson, and many others, inform debates over the concept of identity. Quashie argues that these artists replace the notion of a stable, singular identity with the concept of the self developing in a process both communal and perpetually fluid, a relationship that functions in much the same way that an adult woman negotiates with her girlfriend(s). He suggests that memory itself is corporeal, a literal body that is crucial to the process of becoming. Quashie also explores the problem that language poses for the black woman artist and her commitment to a mastery that neither colonizes nor excludes. The analysis throughout this book interacts with schools of thought such as psychoanalysis, postmodernism, and postcolonialism, but. | ||
| 520 | 8 | |a Ultimately moves beyond these to propose a new cultural aesthetic that aims to center black women and their philosophies. Book jacket. | |
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a American literature |x African American authors |x History and criticism |x Theory, etc. | |
| 650 | 0 | |a American literature |x Women authors |x History and criticism |x Theory, etc. | |
| 650 | 0 | |a African American women |x Intellectual life. | |
| 650 | 0 | |a Women and literature |z United States. | |
| 650 | 0 | |a African American women in literature. | |
| 650 | 0 | |a Identity (Psychology) in literature. | |
| 650 | 0 | |a Women, Black |x Intellectual life. | |
| 650 | 0 | |a African American photographers. | |
| 650 | 0 | |a Group identity in literature. | |
| 650 | 0 | |a African American aesthetics. | |
| 650 | 0 | |a Women, Black, in literature. | |
| 650 | 0 | |a Women photographers. | |
| 650 | 6 | |a Écrits de femmes américains |x Histoire et critique |x Théorie, etc. | |
| 650 | 6 | |a Noires américaines |x Vie intellectuelle. | |
| 650 | 6 | |a Femmes et littérature |z États-Unis. | |
| 650 | 6 | |a Identité (Psychologie) dans la littérature. | |
| 650 | 6 | |a Femmes noires |x Vie intellectuelle. | |
| 650 | 6 | |a Photographes noirs américains. | |
| 650 | 6 | |a Identité collective dans la littérature. | |
| 650 | 6 | |a Esthétique noire américaine. | |
| 650 | 6 | |a Noires dans la littérature. | |
| 650 | 6 | |a Femmes photographes. | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x General. |2 bisacsh | |
| 650 | 7 | |a African American aesthetics |2 fast | |
| 650 | 7 | |a African American photographers |2 fast | |
| 650 | 7 | |a African American women in literature |2 fast | |
| 650 | 7 | |a African American women |x Intellectual life |2 fast | |
| 650 | 7 | |a Group identity in literature |2 fast | |
| 650 | 7 | |a Identity (Psychology) in literature |2 fast | |
| 650 | 7 | |a Women and literature |2 fast | |
| 650 | 7 | |a Women, Black, in literature |2 fast | |
| 650 | 7 | |a Women, Black |x Intellectual life |2 fast | |
| 650 | 7 | |a Women photographers |2 fast | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Quashie, Kevin Everod. |t Black women, identity, and cultural theory. |d New Brunswick : Rutgers University Press, ©2004 |z 081353366X |z 0813533678 |w (DLC) 2003007035 |w (OCoLC)51942593 |
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