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Class, language, and American film comedy /
"Counter This book examines the evolution of American film comedy through the lens of language and the portrayal of social class. Christopher Beach argues that class has been an important element in the development of sound comedy as a cinematic form. With the advent of sound in the late 1920s...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
2002.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Beach, Christopher, |d 1959- |1 https://id.oclc.org/worldcat/entity/E39PBJkHrkhwhkBhdmvTHtFdwC | |
| 245 | 1 | 0 | |a Class, language, and American film comedy / |c Christopher Beach. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2002. | ||
| 300 | |a 1 online resource (vii, 241 pages) | ||
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| 504 | |a Includes bibliographical references (pages 231-235) and index. | ||
| 505 | 0 | 0 | |g 1. |t A troubled paradise : utopia and transgression in comedies of the early 1930s -- |g 2. |t Working ladies and forgotten men : class divisions in romantic comedy, 1934-1937 -- |g 3. "The |t split-pea soup and the succotash" : Frank Capra's 1930s comedies and the subject of class -- |g 4. |t Is class necessary : Preston Sturges and Howard Hawks in the early 1940s -- |g 5. |t Desperately seeking status : class, gender, and social anxiety in postwar Hollywood comedy -- |g 6. |t Is there a class in this text : Woody Allen and postmodern comedy -- |g 7. |t Yuppies and other strangers : class satire and cultural clash in contemporary film comedy. |
| 520 | |a "Counter This book examines the evolution of American film comedy through the lens of language and the portrayal of social class. Christopher Beach argues that class has been an important element in the development of sound comedy as a cinematic form. With the advent of sound in the late 1920s and early 1930s, filmmakers recognized that sound and narrative enlarged the semiotic and ideological potential of film. Analyzing the use of language in the films of the Marx Brothers, Frank Capra, Woody Allen and the Coen brothers, among others, Class, Language, and American Film Comedy traces the history of Hollywood from the 1930s to the present, while offering a new approach to the study of class and social relationships through linguistic analysis. "http://www.loc.gov/catdir/description/cam021/2001025935.html. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
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| 650 | 0 | |a Speech and social status |z United States. | |
| 650 | 6 | |a Films comiques |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Langage et statut social |z États-Unis. | |
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| 650 | 7 | |a Comedy films |2 fast | |
| 650 | 7 | |a Speech and social status |2 fast | |
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| 650 | 1 | 7 | |a Sociale aspecten. |2 gtt |
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| 758 | |i has work: |a Class, language, and American film comedy (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFrM4tggxMJFBqMhYV6PDC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Beach, Christopher. |t Class, language, and American film comedy. |d Cambridge ; New York : Cambridge University Press, 2002 |z 0521807492 |w (DLC) 2001025935 |w (OCoLC)46616134 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=202134 |z Texto completo |
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