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|a Greaney, Michael.
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|a Conrad, language, and narrative /
|c Michael Greaney.
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|a Cambridge, U.K. ;
|a New York :
|b Cambridge University Press,
|c 2002.
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|a 1 online resource (ix, 194 pages)
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|a Includes bibliographical references (pages 185-192) and index.
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|a pt. I. Speech Communities. 1. 'The realm of living speech': Conrad and oral community. 2. 'Murder by language': 'Falk' and Victory. 3. 'Drawing-room voices': language and space in The Arrow of Gold -- pt. II. Marlow. 4. Modernist storytelling: 'Youth' and 'Heart of Darkness'. 5. The scandals of Lord Jim. 6. The gender of Chance -- pt. III. Political Communities. 7. Nostromo and anecdotal history. 8. Linguistic dystopia: The Secret Agent. 9. 'Gossip tales, suspicions': language and paranoia in Under Western Eyes.
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|a "In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote
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|a The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory."--Jacket
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|a Print version record.
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|a English.
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|a eBooks on EBSCOhost
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|a Conrad, Joseph,
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|a Greaney, Michael.
|t Conrad, language, and narrative.
|d Cambridge, U.K. ; New York : Cambridge University Press, 2002
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