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|a UAMI
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|a Lawson, Colin
|q (Colin James)
|1 https://id.oclc.org/worldcat/entity/E39PBJmHH3xPGTHWhF9HWBVDMP
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245 |
1 |
4 |
|a The historical performance of music :
|b an introduction /
|c Colin Lawson and Robin Stowell.
|
260 |
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|a Cambridge, UK ;
|a New York :
|b Cambridge University Press,
|c 1999.
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|a 1 online resource (xiii, 219 pages) :
|b music
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|a text
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|a Cambridge handbooks to the historical performance of music
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|a Includes bibliographical references (pages 199-208) and index.
|
505 |
0 |
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|a Music as history. Introduction. The nature and development of historical awareness. Influential reworkings of Bach and Handel. Historical considerations. The pioneers: individuals and institutions. The role of musical expression. Arguments pro and con. Post-war philosophies. Period Mozart and beyond. The current scene -- The application of primary sources. Surviving instruments. Iconographical sources. Historical archives. Literary sources. Practical treatises : uses and limitations. Practical treatises : a summary. Theoretical treatises. The importance of communication. The role of editions. Musical taste -- Changes in musical style. National idioms. Articulation. Melodic inflection. Accentuation. Tempo. Rhythmic alteration. Ornamentation. Extempore embellishment. Improvisation. Continuo accompaniment -- Conditions and practices. Introduction. Pitch. Temperament. Vocal practices. Venues and programmes. Orchestral constitution and placement. Direction. Nineteenth-century changes -- Case studies in ensemble music. J.S. Bach : St Matthew Passion BWV 244. W.A. Mozart : Serenade for 13 instruments K361. Berlioz : Episode de la vie d'un Artiste, Symphonie Fantastique en cinq parties Op. 14. Brahms : Symphony No. 2 in D major Op. 73 -- The continuing debate. Introduction. The social position of historical music. A snapshot from 1983. Authenticity and Early Music. The 1990s. The future?
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|a This volume offers an overview of historical performance, surveying current issues, and suggesting future developments. Its kernel comprises discussion of the performer's primary source-materials and their interpretation, aspects of style and technique that combine to make up a well-grounded, period interpretation, and a survey of performance conditions and practices.
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|b Ebook Central Academic Complete
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600 |
1 |
6 |
|a Bach, Johann Sebastian,
|d 1685-1750.
|t Matthäuspassion.
|
600 |
1 |
6 |
|a Mozart, Wolfgang Amadeus,
|d 1756-1791.
|t Sérénades,
|n K. 370a (361),
|r si bémol majeur.
|
600 |
1 |
6 |
|a Berlioz, Hector,
|d 1803-1869.
|t Lélio.
|
600 |
1 |
6 |
|a Berlioz, Hector,
|d 1803-1869
|t Symphonie fantastique.
|
600 |
1 |
6 |
|a Brahms, Johannes,
|d 1833-1897.
|t Symphonies,
|n no 2, op. 73,
|r ré majeur.
|
650 |
|
0 |
|a Performance practice (Music)
|x History
|y 18th century.
|
650 |
|
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|a Performance practice (Music)
|x History
|y 19th century.
|
650 |
|
6 |
|a Pratique de l'exécution (Musique)
|x Histoire
|y 18e siècle.
|
650 |
|
6 |
|a Pratique de l'exécution (Musique)
|x Histoire
|y 19e siècle.
|
650 |
|
7 |
|a MUSIC
|x Instruction & Study
|x Techniques.
|2 bisacsh
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650 |
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650 |
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|a Historische Musikpraxis
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650 |
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|a Uitvoeringspraktijk.
|2 gtt
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700 |
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|a Stowell, Robin.
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|i has work:
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|a Lawson, Colin (Colin James).
|t Historical performance of music.
|d Cambridge, UK ; New York : Cambridge University Press, 1999
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