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Cinema and spectatorship /
Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between "subjects&...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Routledge,
1993.
|
| Colección: | Sightlines (London, England)
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Mayne, Judith. | |
| 245 | 1 | 0 | |a Cinema and spectatorship / |c Judith Mayne. |
| 260 | |a London ; |a New York : |b Routledge, |c 1993. | ||
| 300 | |a 1 online resource (ix, 187 pages) : |b illustrations | ||
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| 490 | 1 | |a Sightlines | |
| 504 | |a Includes bibliographical references (pages 173-182) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Chapter INTRODUCTION -- part Part I THEORIES OF SPECTATORSHIP -- chapter 1 THE SUBJECT OF SPECTATORSHIP -- chapter 2 SPECTATORSHIP AS INSTITUTION -- chapter 3 SPECTATORSHIP RECONSIDERED -- chapter 4 PARADOXES OF SPECTATORSHIP -- part Part II READINGS OF SPECTATORSHIP -- chapter 5 TEXTUAL ANALYSIS AND PORTRAITS OF SPECTATORSHIP -- chapter 6 STAR-GAZING -- chapter 7 WHITE SPECTATORSHIP AND GENRE-MIXING -- chapter 8 THE CRITICAL AUDIENCE. | |
| 520 | |a Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between "subjects" and "viewers" is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issues already discussed, concentrating on textual analysis, the d̀isrupting genre', s̀tar-gazing' and finally the audience itself. Case studies incude the place of the spectator in the textual analysis of individual films such as The Picture of Dorian Gray; the construction of Bette Davis' star persona; fantasies of race and film viewing in Field of Dreams and Ghost; and gay and lesbian audiences as "critical" audiences. The book provides a very thorough and accessible overview of this complex, fragmented and often controversial area of film theory | ||
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| 650 | 0 | |a Film criticism. | |
| 650 | 6 | |a Cinéma |x Publics. | |
| 650 | 6 | |a Critique cinématographique. | |
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| 650 | 1 | 7 | |a Receptie. |2 gtt |
| 653 | 0 | |a Cinema |a Films (Motion pictures) |a Audiences | |
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| 830 | 0 | |a Sightlines (London, England) | |
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