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Zen and the art of the monologue /
Jay Sankey--stand-up comic, magician, and cartoonist--is back with another book for performers. Building on the success of his Zen and the Art of Stand-up Comedy, Jay is moving further into the uncharted wilds of solo performance.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Routledge,
2000.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Sankey, Jay, |d 1963- |1 https://id.oclc.org/worldcat/entity/E39PCjK6PyQY49c7HMCMkvJRXb | |
| 245 | 1 | 0 | |a Zen and the art of the monologue / |c Jay Sankey. |
| 246 | 3 | |a Zen and the art of the monolog | |
| 260 | |a New York : |b Routledge, |c 2000. | ||
| 300 | |a 1 online resource (xiii, 162 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 161-162). | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Chapter 1 The Monologue -- What is a monologue? -- chapter How does a monologue differ from a play? -- chapter What is the difference between a monologue, a soliloquy, and a speech? -- chapter What is the result of this kind of profound theatrical sharing? -- chapter What sort of background do you bring to the study of monologuing? -- chapter Is a speech the ultimate test of an actor's abilities? -- chapter 2 The Script -- How long does it take to write a monologue? -- chapter If I am a strong performer, is my script really that important? -- chapter How should I begin my monologue? -- chapter 3 The Promotion -- How can I promote my monologue? -- chapter Should I enclose a gimmick with my press release and photo? -- chapter How can I use a newspaper article to further promote myself? -- chapter What if I get a good review? -- chapter How do I promote myself to film and television producers? -- chapter 4 The Stage -- Do I need to be standing on a stage to perform a monologue? -- chapter 5 The Rehearsal -- chapter How should I rehearse? -- chapter What can I do to help me remember my lines? -- chapter Should I direct myself or have someone else direct me? -- chapter 6 The Audience -- Who should I invite to my first performance? -- chapter 7 The Performance -- Do I have to be an actor? -- chapter Should I play a "character"? -- chapter How can I give a great performance? -- chapter How should I begin my monologue? -- chapter During my monologue, what should I do when I want to stop talking about one subject and start talking about another? -- chapter What about pacing? -- chapter Do I have to have a "big ego" to perform a monologue? -- chapter 8 The Television Production -- Should I videotape my monologue? -- chapter Interview with Paul McConvey -- chapter What are some of the more common mistakes people make when producing monologues for television? -- chapter A Sitting Meditation -- chapter Fringe Festivals -- United States -- chapter Scotland -- chapter Selected Bibliography and Videography -- Books -- chapter Video. | |
| 520 | |a Jay Sankey--stand-up comic, magician, and cartoonist--is back with another book for performers. Building on the success of his Zen and the Art of Stand-up Comedy, Jay is moving further into the uncharted wilds of solo performance. | ||
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
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| 650 | 0 | |a Monologue. | |
| 650 | 0 | |a Dialogue. | |
| 650 | 6 | |a Monologue. | |
| 650 | 6 | |a Dialogue. | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a Dialogue |2 fast | |
| 650 | 7 | |a Monologue |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Sankey, Jay, 1963- |t Zen and the art of the monologue. |d New York : Routledge, 2000 |z 0878300937 |w (DLC) 00055339 |w (OCoLC)44681728 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=170348 |z Texto completo |
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