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|a UAMI
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100 |
1 |
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|a Berger, Harris M.,
|d 1966-
|1 https://id.oclc.org/worldcat/entity/E39PBJqVWjTpJrgcb8BYpQCJDq
|
245 |
1 |
0 |
|a Metal, rock, and jazz :
|b perception and the phenomenology of musical experience /
|c Harris M. Berger.
|
260 |
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|a Hanover, NH :
|b University Press of New England,
|c ©1999.
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300 |
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|a 1 online resource (xiii, 334 pages) :
|b illustrations, maps
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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490 |
1 |
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|a Music/culture
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|a "Wesleyan University Press."
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|a Includes bibliographical references (pages 315-323) and index.
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|a Print version record.
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|a Cover; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; 1. An Introduction to Central Issues in Ethnomusicology and Folklore: Phenomenology and Practice Theory; I. The Ethnography of Musical Practice; 2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic; 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater; 4. Two Jazz Scenes in Northeast Ohio; II. The Organization of Musical Experience and the Practice of Perception; 5. The Organization of Attention in Two Jazz Scenes
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505 |
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|a 6. The Organization of Attention in the Rock and Metal Scenes7. Tonality, Temporality, and the Intending Subject (1): Chris Ozimek and "Turn for the Worse"; 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and "The Final Silencing"; 9. Conclusions: Perceptual Practice and Social Context; III. Music, Experience, and Society: Death Metal and Deindustrialization in an American City; 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music; 11. A Critical Dialogue on the Politics of the Metal Underground: Race, Class, and Consequence
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505 |
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|a 12. Conclusion: The Scope of EthnomusicologyNotes; Glossary; Selected Bibliography; Index
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520 |
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|a A lively comparison of musical meaning in Ohio's Jazz, metal, and hard rock scene.
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546 |
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|a English.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
|
590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
|
0 |
|a Musical perception.
|
650 |
|
0 |
|a Music
|x Philosophy and aesthetics.
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650 |
|
0 |
|a Rock music
|z Ohio
|z Cleveland
|x History and criticism.
|
650 |
|
0 |
|a Rock music
|z Ohio
|z Akron
|x History and criticism.
|
650 |
|
0 |
|a Jazz
|z Ohio
|z Cleveland
|x History and criticism.
|
650 |
|
0 |
|a Jazz
|z Ohio
|z Akron
|x History and criticism.
|
650 |
|
0 |
|a Music
|x Social aspects.
|
650 |
|
6 |
|a Perception de la musique.
|
650 |
|
6 |
|a Musique
|x Philosophie et esthétique.
|
650 |
|
6 |
|a Rock (Musique)
|z Ohio
|z Cleveland
|x Histoire et critique.
|
650 |
|
6 |
|a Rock (Musique)
|z Ohio
|z Akron
|x Histoire et critique.
|
650 |
|
6 |
|a Musique
|x Aspect social.
|
650 |
|
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|a MUSIC
|x Genres & Styles
|x Jazz.
|2 bisacsh
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|a Jazz
|2 fast
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650 |
|
7 |
|a Music
|x Philosophy and aesthetics
|2 fast
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650 |
|
7 |
|a Music
|x Social aspects
|2 fast
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650 |
|
7 |
|a Musical perception
|2 fast
|
650 |
|
7 |
|a Rock music
|2 fast
|
651 |
|
7 |
|a Ohio
|z Akron
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJxCtcH68BxTr8Tx6yYgKd
|
651 |
|
7 |
|a Ohio
|z Cleveland
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJdCvPcj33MDBF4HDyf6rq
|
650 |
1 |
7 |
|a Popmuziek.
|2 gtt
|
650 |
1 |
7 |
|a Muzieksociologie.
|0 (NL-LeOCL)078597706
|2 gtt
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650 |
|
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|a Musiketnologi
|z Förenta staterna
|z 1990-talet.
|2 sao
|
655 |
|
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|a Criticism, interpretation, etc.
|2 fast
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758 |
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|i has work:
|a Metal, rock, and jazz (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFJTCC4qBWpTKBGhv7M4G3
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Berger, Harris M., 1966-
|t Metal, rock, and jazz.
|d Hanover, NH : University Press of New England, ©1999
|z 0819563714
|w (DLC) 98043706
|w (OCoLC)40347330
|
830 |
|
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|a Music/culture.
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856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=776733
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