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Dutch Post-war Fiction Film through a Lens of Psychoanalysis /

"Dutch Post-war Fiction Film through a Lens of Psychoanalysis² is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genr...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Verstraten, Peter (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2021]
Colección:Framing Film
Temas:
Acceso en línea:Texto completo
Texto completo

MARC

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245 1 0 |a Dutch Post-war Fiction Film through a Lens of Psychoanalysis /  |c Peter Verstraten. 
264 1 |a Amsterdam :   |b Amsterdam University Press,   |c [2021] 
264 4 |c ©2021 
300 |a 1 online resource (482 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
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490 0 |a Framing Film 
505 0 0 |t Frontmatter --   |t TABLE OF CONTENTS --   |t Preface --   |t Introduction --   |t CHAPTER 1. Spitting Images, Blind Spots, and Dark Mirrors --   |t CHAPTER 2. In the Name of Fathers - Overbearing, Flying, or Otherwise --   |t CHAPTER 3. That Obscure Object of Desire --   |t CHAPTER 4. From Ordinary Men and Rabbles to Heroes --   |t CHAPTER 5. Paranoia, Psychosis, The Horrific-Fantastic --   |t CHAPTER 6. Passages à l'Acte --   |t CHAPTER 7. From Historical Discomfort to Historical Trauma --   |t CHAPTER 8. Aphanisis --   |t CHAPTER 9. Hysteria, Neurosis, Perversion --   |t Epilogue --   |t BIBLIOGRAPHY --   |t FILMOGRAPHY --   |t INDEX OF CONCEPTS --   |t INDEX OF FILMS --   |t INDEX OF NAMES 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a "Dutch Post-war Fiction Film through a Lens of Psychoanalysis² is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but psychoanalytic theories on desire and fantasy are employed to put this idea into perspective. In the vein of cinephilia, this study brings together canonical titles (ALS TWEE DRUPPELS WATER; SOLDAAT VAN ORANJE) and little gems (MONSIEUR HAWARDEN; KRACHT). It juxtaposes among others GLUCKAUF and DE VLIEGENDE HOLLANDER (on father figures); FLANAGAN and SPOORLOOS (on rabbles and heroes); DE AANSLAG and LEEDVERMAAK (on historical traumas); ANTONIA and BLUEBIRD (on aphanisis). 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a Motion pictures  |x History  |y 20th century  |z Netherlands. 
650 0 |a Motion pictures  |x Psychological aspects. 
650 0 |a Motion pictures  |z Netherlands  |x History  |y 20th century. 
650 0 |a Psychoanalysis and motion pictures  |z Netherlands. 
650 4 |a Dutch and The Netherlands. 
650 4 |a Film Studies. 
650 4 |a Film, Media, and Communication. 
650 4 |a Films, cinema. 
650 4 |a Individual film directors, film-makers. 
650 4 |a Netherlands. 
650 4 |a Psychoanalytical and Freudian psychology. 
650 4 |a Psychology. 
650 4 |a Transnational and Global Studies. 
650 7 |a ART / History / Modern (late 19th Century to 1945).  |2 bisacsh 
653 |a Dutch cinema - psychoanalysis (Freud, Lacan, Zizek) - cinephilia. 
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