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The Red Years of Cahiers du cinéma (1968-1973) : Volume II, Aesthetics and Ontology /
The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a M...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2021]
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| Colección: | Film Culture in Transition
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 100 | 1 | |a Fairfax, Daniel, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 4 | |a The Red Years of Cahiers du cinéma (1968-1973) : |b Volume II, Aesthetics and Ontology / |c Daniel Fairfax. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (404 p.) | ||
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| 490 | 0 | |a Film Culture in Transition | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Volume II: Aesthetics and Ontology -- |t Part III. Questions of Aesthetics -- |t Part IV. Encounters with Ontology -- |t Conclusion -- |t Index of Names Cited |
| 506 | 0 | |a Open Access |u https://purl.org/coar/access_right/c_abf2 |f unrestricted online access |2 star | |
| 520 | |a The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote. Volume II centers on questions of aesthetics and the cinema's ontological relationship with the real. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 540 | |a This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: |u https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | |a Motion pictures |z France |x Periodicals. | |
| 650 | 4 | |a Contemporary History. | |
| 650 | 4 | |a Film Studies. | |
| 650 | 4 | |a Film, Media, and Communication. | |
| 650 | 4 | |a Philosophy. | |
| 650 | 4 | |a Sociology and Social History. | |
| 650 | 7 | |a HISTORY / Social History. |2 bisacsh | |
| 653 | |a Cahiers du cinéma, film theory, apparatus theory, political modernism, French cinema. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Amsterdam University Press Complete eBook-Package 2021 |z 9783110743227 |
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